It won't set your hair on fire, but it's a story that exudes its own dry warmth. (Picture book. 3-7)
A modest tale of a Bigfoot.
Larf is one of those large, hairy, bipedal, apelike cryptids commonly known to humanoids as Sasquatch or Bigfoot. He is a retiring soul—as, evidently, are most Bigfeet. He lives deep in the northern forest with his pet rabbit, Eric, who is one of the more droll creatures—all deadpan, pop-eyed diminutiveness—to inhabit recent picture books. Larf thinks he is one-of-a-kind, but he reads that another Sasquatch is making an appearance in a nearby town. Fascinated, yet harboring the standard run of trepidations when about to meet a potential friend, he dons a minimalist disguise and shows up at the appointed time, only to learn that the Sasquatch is just a guy in costume ("It was all a BIG FAKE"). But someone else has appeared to meet that same Bigfoot, and, who knows, maybe there'll be a Littlefoot in a baby carriage. Spires hits squarely a number of nails here—not least that people wouldn't recognize a Bigfoot right under their collective noses—and her watercolor-and-ink artworks fairly captures the far-north woodlands and the enjoyably kooky characters of her tale.
It won't set your hair on fire, but it's a story that exudes its own dry warmth. (Picture book. 3-7)Pub Date: April 1, 2012
ISBN: 978-1-55453-701-3
Page Count: 32
Publisher: Kids Can
Review Posted Online: Jan. 3, 2012
Kirkus Reviews Issue: Jan. 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Muy dolce.
A "story told through proverbs" could easily go terribly wrong, but this sweet tale succeeds beautifully.
On Francisco’s feast day, Mamá and Papá plan to make ropa vieja, tostones and aguacate. For dessert Francisco would like fresh-picked mangos from the tree a short walk from his home. Finding several bees near the tree, Francisco returns empty handed. Papá asks for an explanation. “La verdad, por dura que sea. / The truth, no matter how hard it is.” Francisco admits his fear of the bees, but Papa tells him to gently shoo them away. A second attempt results in his picking more than he can handle, making for a gooey mess. Papá suggests one more time. “You can do it by yourself, mi’jo / Querer es poder. / Where there’s a will, there’s a way.” Francisco succeeds but on the way home generously gives all his mangos to the neighbors. Through the little proverbs, Francisco learns that life is about trying, succeeding and sharing. “Amor con amor se paga. / Love is repaid with love.” This smoothly written family story is filled with warmth and humor and incorporates a blending of well-placed proverbs in both Spanish and English to drive the story’s themes. Digitally colored pencil-and-ink cartoon drawings reflect the lush greens of summertime and outdoor living in this intergenerational barrio.
Muy dolce. (Picture book. 5-7)Pub Date: May 1, 2011
ISBN: 978-0-8109-9734-9
Page Count: 32
Publisher: Abrams
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
BOOK REVIEW
Digital illustrations vary in format from spot art to full-bleed spreads, but everything from the begowned princesses to the...
The particular challenge of redoing a well-known, oft-published fairy tale is to offer a fresh or fruitful take, and this one doesn’t.
Digital illustrations vary in format from spot art to full-bleed spreads, but everything from the begowned princesses to the sparkling underground land they visit each night falls flat. The princesses are named for blossoms, each one “lovelier than the flower she was named for,” but their impossibly tiny waists and huge blue eyes look like a cheap, dull version of Disney. Their dance postures barely connote motion. On the page that displays the tale’s premise—that “[e]very morning, without fail, the soles of the princesses’ shoes were worn out and full of holes”—Barrager shows (nine) slippers that are grubby and scuffed but lack a single hole. Matching the insipid aesthetic is a text stripped of grit. No men lose their lives trying to solve the mystery before the hero (here, Pip the cobbler) does, and there are no men in the princesses’ underground boats, which “float silently” of their own accord. The boats need to float of their own accord, because these princesses have neither agency nor consciousness: They’re asleep from start to finish of the dancing escapades.Pub Date: June 1, 2011
ISBN: 978-0-8118-7696-4
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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