Warlick is not a bad writer, and this novel is an ambitious effort. In the end, though, it never makes us care about its...
Blending fact and fiction, this historical novel covers nine eventful years in the life of legendary food writer M.F.K. Fisher.
All the ingredients for a lively, literate page-turner are here: a beautiful, talented protagonist; lush settings; illicit sex; mouthwatering food. But the novel falls flat—ironic considering how buoyant and lyrical Fisher’s own writing is. Beginning in 1934, the book is mostly about the unraveling of Mary Frances Kennedy’s marriage to Al Fisher, a college professor, and her affair with—and eventual marriage to—Dillwyn “Tim” Parrish, a painter and sometime writer who edited and encouraged her early work. The narrative, which faithfully follows the outlines of Fisher’s life, moves between California, France, and Switzerland, where the Fishers briefly lived with Parrish. The two men were close friends, and there is plenty of agonizing on the part of the adulterous lovers on the right course of action to take with regard to Al, who has problems with sexual and professional performance. Perhaps as a result, the novel often feels gray and despairing. Another problem: Fisher’s life is not exactly unexamined. In addition to a gastronomic memoir, she published many books—in which she figured prominently—as well as journals and correspondence. Since her death in 1992, two biographies have appeared. That doesn’t leave so much for a novelist to imagine. Warlick, author of three previous works of fiction, contributes invented dialogue—some of it stilted—and fairly graphic sex scenes, which don’t really deepen our understanding of the characters. She also tells the story from multiple perspectives, which proves distracting—better to have homed in on Fisher’s point of view.
Warlick is not a bad writer, and this novel is an ambitious effort. In the end, though, it never makes us care about its star-crossed trio.Pub Date: Feb. 9, 2016
ISBN: 978-0-525-42966-1
Page Count: 320
Publisher: Viking
Review Posted Online: Nov. 17, 2015
Kirkus Reviews Issue: Dec. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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