A pleasant reminder of golden-age mysteries that keep you guessing until the denouement.
A cousin’s call for help seriously complicates a wealthy society sleuth’s holiday.
Amory Ames and her husband, Milo (Death Wears a Mask, 2015, etc.), have had a rocky relationship, perhaps because Milo’s so handsome and charming that Amory’s never sure if his flirting is a cover for something deeper. Though things have recently improved, Milo’s not pleased that they’ve accepted an invitation to a cold country house instead of the trip to Italy he’d planned. Amory’s cousin Laurel was unfortunate enough to have been a guest at Lyonsgate when the mysterious death of Edwin Green caused a scandal that was vastly overblown after another guest, Isobel Van Allen, wrote a thinly veiled novel based on the incident. Now Isobel’s come home from Kenya and insists that everyone who was there that night return as well. Since Edwin Green can’t attend and the man Isobel hinted murdered him has committed suicide, Isobel fills out the party by adding her secretary, her current lover, and the Ameses. Isobel claims she’s writing a new novel that will reveal much more about the event—so when Amory stumbles over her bloody body, the police have plenty of suspects. Chief among them are members of the Lyons family: Reggie, who was in love with Isobel; his sister, Beatrice, the object of both the dead men’s affections; and his much younger half sister, Lucinda, who’s quickly fallen for Milo. Also visiting at the time of Green’s death were Amory’s old school friend, her husband, and an artist who’d given up painting until he met Amory. Despite Milo’s every effort to curb her sleuthing instincts, Amory can’t help but look for clues, especially after another murder.
A pleasant reminder of golden-age mysteries that keep you guessing until the denouement.Pub Date: Oct. 11, 2016
ISBN: 978-1-250-06045-7
Page Count: 320
Publisher: Minotaur
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
As tangled and turbulent as the hero’s nightmares, and that’s saying quite a bit.
Having survived his tempestuous debut, P.T. Marsh, of Georgia's Mason Falls Police Department, is back for more—including some residue from that first case that just won’t go away.
Dispatched like an errand boy to wealthy real estate mogul Ennis Fultz’s home to find out why he hasn’t joined his bridge buddies, Mayor Stems and interim police chief Jeff Pernacek, for their monthly game, Marsh and his partner, Remy Morgan, find Fultz dead in his bed. It turns out that his passing, devoutly longed for by so many of the people he’d crushed or outwitted on his way to the top, was helped along by the strategic dose of nitrogen somebody substituted for the oxygen he inhaled regularly, especially when he was expecting particular demands on his virility. Marsh and Morgan quickly focus on two candidates who might have made those demands: Suzy Kang, a recent visitor who was so eager to cover any traces that she’d been to Fultz’s house that she sold the car she’d driven there, and Connie Fultz, the victim’s ex-wife and perhaps his current lover, who acidly swats them away and tells them: “Look for some little gal who’s into bondage.” McMahon excels in sweating the procedural details of the investigation, which take the partners from a search for Suzy Kang and that missing car to a not-so-accidental car crash that’s evidently targeted a young girl who has no idea she’s implicated in the case. But he’s set his sights higher, taking in everything from a civil suit the relatives of the perp Marsh shot in The Good Detective (2019) have launched against him to a possible conspiracy behind the deaths of his deeply grieved wife and son, all of it larded with Georgia attitude and truisms, a few of which rise to eloquence (“I wasn’t good at faith. I was good at proof”).
As tangled and turbulent as the hero’s nightmares, and that’s saying quite a bit.Pub Date: March 3, 2020
ISBN: 978-0-525-53556-0
Page Count: 368
Publisher: Putnam
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
Schneider’s debut enlivens the police procedural with offbeat characters and an appealingly complex hero.
Hollywood detectives catch the strange case of a brutally burned body.
Detective Tully Jarsdel is a former academic, leading his partner, Morales, to call him Professor. When he fights his way through multiple news crews to reach a corpse one day, it's unlike any he’s ever seen. The body is twisted, partially ravaged, and burned so badly it’s unrecognizable. Jarsdel and Morales intensely question Dustin Sparks, the horror-movie special-effects expert who found the body. He eventually admits that he saw the body being dumped from a van, but his addiction to OxyContin makes him a compromised witness. While waiting for DNA results, Jarsdel and Morales watch missing persons reports closely. An odd red disk glued to the victim’s palm turns out to be a 1996 quarter painted red: the case’s first clue, albeit a murky one. DNA connects the victim to grizzled convict Lawrence Wolin, who identifies the man as his brother. The pieces of Grant Wolin’s life come together via interviews prompted by a search of his dirty apartment. He sold jars of “genuine Hollywood dirt” on the street, smoked marijuana occasionally, and was apparently asexual. A dinner scene at the home of Jarsdel’s scholarly parents provides insight into his psyche and his sense of isolation. Though he fits in with neither the gritty world of police work nor the ivory tower of academia, he has a passion for justice.
Schneider’s debut enlivens the police procedural with offbeat characters and an appealingly complex hero.Pub Date: Feb. 4, 2020
ISBN: 978-1-4926-8444-2
Page Count: 336
Publisher: Poisoned Pen
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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