An emotional historical narrative with a unique perspective on Mormon history.
A young girl emigrates from England to Utah with her parents, new Mormon converts, in O’Connell’s historical novel.
In the spring of 1854, 12-year-old Emmaline Kendall moves with her mother and father from their rural home in Wiltshire, England, to Liverpool. Shortly after arriving, her parents are inspired by Mormon missionaries to make the journey across the Atlantic and westward to Zion, the Utah Territory. Emmaline is immediately skeptical of the missionaries, but her parents “became so zealous with these teachings that they decided to join the church and be baptized.” The trans-Atlantic voyage on the Horizon is treacherous and uncomfortable, but not nearly as bad as the journey from Boston to Iowa City, which is still less dangerous than the final leg from Iowa City to Salt Lake City—during this portion of the trip, the emigrants must push handcarts holding their belongings across the terrain as they face dropping temperatures, buffalo stampedes, and exhaustion. Along the way, Emmaline grows progressively more skeptical of Mormon doctrine. As children die on the Horizon, Emmaline reflects, “Pneumonia, dehydration, fever. Each body buried at sea. Each one ripping a bigger hole in my faith.” Everything comes to a head when, shortly after her arrival in Zion, Emmaline learns that she’s expected to become the second wife of a prominent member of the bishop’s council. O’Connell has based this compelling story on her great-great-grandfather’s second of three plural wives; the author is the descendant of the third. She created Emmaline as “a composite character who [represents] every underage girl forced into marriage or held against her will, especially when trapped within a weaponized faith system.” Apart from a cold open that feels out of place, the writing is excellent. O’Connell indicts Mormon history for its racism and misogyny, but her approach is nuanced, and she includes Mormon characters who are sympathetic throughout the story. This engaging novel will appeal to fans of Jon Krakauer’s Under the Banner of Heaven (2003).
An emotional historical narrative with a unique perspective on Mormon history.Pub Date: May 19, 2026
ISBN: 9798994807507
Page Count: 368
Publisher: N/A
Review Posted Online: May 27, 2026
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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