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WITH THEIR BACKS TO THE WORLD

PORTRAITS FROM SERBIA

Although the during-and-after-Milosevic format in each segment grows tiresome, Seirestad’s educated eye sees all that’s...

An intrepid Norwegian journalist follows the varied fortunes of Serbs—ranging from celebrities to refugees—during and after the reign of Slobodan Milosevic.

Seierstad has trod the bloody ground of Afghanistan (The Bookseller of Kabul, 2003) and Iraq (A Hundred and One Days, 2005) and here recounts her experiences in Serbia between 1999 and 2004. She tells the stories of 13 individuals and one family, virtually all of whom share two beliefs: The Serbs committed no war crimes or “ethnic cleansing”; and the United States is the cause of all their troubles. Says a Milosevic protégé: “America is the source of all wickedness in the world.” To Seierstad’s credit, she does not accept these assertions silently; rather, she prompts her sources to elaborate and to justify. Most merely repeat what they’ve seen on government television—or rumors they’ve heard from frustrated friends. Seierstad interviewed people who varied widely on just about every human dimension—income, education, sophistication, political affiliation, celebrity. Among the latter were some media personalities, a novelist (Ana Rodic, whose Roots was a Serbian bestseller) and rock musician Antonio Pusic, who goes by “Rambo Amadeus” and describes his music as “acid-horror-funk.” Seierstad went boating with him and added some tracks to one of his CDs. Among the many charms of the author’s work is that her Serb contacts are all invariably glad to see her, grateful for her attention, eager to tell their stories. (Some even try to find her a husband.) Perhaps the most touching story is that of a family from Kosovo now living in a refugee center in southern Serbia. When the Kosovo Albanians arrived, bent on ethnic vengeance, the family fled, leaving behind virtually all they had—except their photo albums and their hope.

Although the during-and-after-Milosevic format in each segment grows tiresome, Seirestad’s educated eye sees all that’s important, and her compassionate heart beats in tandem with some poorly understood, deeply afflicted people.

Pub Date: Nov. 30, 2006

ISBN: 0-465-07602-5

Page Count: 352

Publisher: Basic Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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