WOMEN OF ALGIERS IN THEIR APARTMENT

Algerian-born writer and filmmaker Djebar, now living in France, makes her American debut with a collection offering memorable portraits of Arabic women in a time of change. Spanning the years 1958 to 1979, a period when Algeria fought a bitter war of independence from France and experienced a socialist revolution, Djebar's stories are intended to be ``the voice of all the women they've kept walled in'' in Islamic societies. As Sarah, who had been badly wounded while fighting, observes (in the title story): ``There is only one way to unblock everything—talk without stopping about yesterday and today, talk among ourselves in all the women's quarters, the traditional ones as well as those in housing projects and look. Look outside the walls.'' And this Djebar does, as she chronicles the changing role of Arabic and Algerian women during those tumultuous years. When the promised equality of the revolution is soon diluted by the return of old Islamic proscriptions, the narrator of ``Forbidden Gaze, Severed Head'' says, ``What words had uncovered in times of war is now being concealed underneath a thick covering of taboo''- -again, women, once the ``bombcarriers and sister-companions of the nationalist heroes,'' must hide behind veils and walls. Pieces like ``Nostalgia of the Horde,'' in which an old woman recounts her harsh treatment as a 12-year-old bride; ``Ramadan,'' in which a young woman is upset at the return of ``interminable formulas of politeness''; and ``There is No Exile,'' in which a grieving woman who lost her children and husband in the war is forced by her family to remarry—all reflect the continuing, often stifling power of older women and family. As much a critique as a picture of a society, Djebar's debut- -plus its informative afterword—is an elegant and evocative introduction to a too little-known world.

Pub Date: Nov. 1, 1992

ISBN: 0-8139-1402-7

Page Count: 224

Publisher: Univ. of Virginia

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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Charming, challenging, and so interesting you can hardly put it down.

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SUCH A FUN AGE

The relationship between a privileged white mom and her black babysitter is strained by race-related complications.

Blogger/role model/inspirational speaker Alix Chamberlain is none too happy about moving from Manhattan to Philadelphia for her husband Peter's job as a TV newscaster. With no friends or in-laws around to help out with her almost-3-year-old, Briar, and infant, Catherine, she’ll never get anywhere on the book she’s writing unless she hires a sitter. She strikes gold when she finds Emira Tucker. Twenty-five-year-old Emira’s family and friends expect her to get going on a career, but outside the fact that she’s about to get kicked off her parents’ health insurance, she’s happy with her part-time gigs—and Briar is her "favorite little human." Then one day a double-header of racist events topples the apple cart—Emira is stopped by a security guard who thinks she's kidnapped Briar, and when Peter's program shows a segment on the unusual ways teenagers ask their dates to the prom, he blurts out "Let's hope that last one asked her father first" about a black boy hoping to go with a white girl. Alix’s combination of awkwardness and obsession with regard to Emira spins out of control and then is complicated by the reappearance of someone from her past (coincidence alert), where lies yet another racist event. Reid’s debut sparkles with sharp observations and perfect details—food, décor, clothes, social media, etc.—and she’s a dialogue genius, effortlessly incorporating toddler-ese, witty boyfriend–speak, and African American Vernacular English. For about two-thirds of the book, her evenhandedness with her varied cast of characters is impressive, but there’s a point at which any possible empathy for Alix disappears. Not only is she shallow, entitled, unknowingly racist, and a bad mother, but she has not progressed one millimeter since high school, and even then she was worse than we thought. Maybe this was intentional, but it does make things—ha ha—very black and white.

Charming, challenging, and so interesting you can hardly put it down.

Pub Date: Jan. 7, 2020

ISBN: 978-0-525-54190-5

Page Count: 320

Publisher: Putnam

Review Posted Online: Oct. 14, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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Offill is good company for the end of the world.

WEATHER

An ever growing list of worries, from a brother with drug problems to a climate change apocalypse, dances through the lively mind of a university librarian.

In its clever and seductive replication of the inner monologue of a woman living in this particular moment in history, Offill’s (Dept. of Speculation, 2014, etc.) third novel might be thought of as a more laconic cousin of Lucy Ellmann's Ducks, Newburyport. Here, the mind we’re embedded in is that of a librarian named Lizzie—an entertaining vantage point despite her concerns big and small. There’s the lady with the bullhorn who won’t let her walk her sensitive young son into his school building. Her brother, who has finally gotten off drugs and has a new girlfriend but still requires her constant, almost hourly, support. Her mentor, Sylvia, a national expert on climate change, who is fed up with her fans and wants Lizzie to take over answering her mail. (“These people long for immortality, but can’t wait ten minutes for a cup of coffee,” says Sylvia.) “Malodorous,” “Defacing,” “Combative,” “Humming,” “Lonely”: These are just a few of the categories in a pamphlet called Dealing With Problem Patrons that Lizzie's been given at work, Also, her knee hurts, and she’s spending a fortune on car service because she fears she's Mr. Jimmy’s only customer. Then there are the complex mixed messages of a cable show she can't stop watching: Extreme Shopper. Her husband, Ben, a video game designer and a very kind man, is getting a bit exasperated. As the new president is elected and the climate change questions pour in and the doomsday scenarios pile up, Lizzie tries to hold it together. The tension between mundane daily concerns and looming apocalypse, the "weather" of our days both real and metaphorical, is perfectly captured in Offill's brief, elegant paragraphs, filled with insight and humor.

Offill is good company for the end of the world.

Pub Date: Feb. 11, 2020

ISBN: 978-0-385-35110-2

Page Count: 224

Publisher: Knopf

Review Posted Online: Nov. 11, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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