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CURLEE GIRLEE

A charmingly illustrated book with a strong heroine, a solid message, and an accessible vocabulary for newly independent...

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Pink, glitter, and a curly-haired protagonist shout out the girl appeal of this lesson about accepting who you are and how you look.

The heroine wasn’t born the spiral-curled child gracing the front cover of this debut picture book. Readers are introduced to her first as a bald baby with an already expressive face and active demeanor. Her older siblings don’t know why her hair won’t grow. But when it finally sprouts, Curlee Girlee sports a full head of out-of-control hair, unlike everyone else in the family. While her nickname is given with affection, Curlee Girlee soon becomes frustrated with being different from her straight-haired siblings and parents. Although her mother tries to comfort her, Curlee Girlee takes steps to fix her hair herself. The precocious preschooler attempts to use a brush and water but only makes her hair even fluffier. She tries a rolling pin but only succeeds in causing a kitchen disaster. Then she concocts her own shampoo from strawberry syrup, honey, and other sticky ingredients, but the mess only gets worse. Eventually, after a dream of magic barrettes, Curlee Girlee snoops in her mother’s closet and discovers a photo of a relative with hair just like hers. Looking different from the rest of the family can be hard on children, especially during their preschool years. In Twersky’s tale, Curlee Girlee’s ability to accept herself just as she is does not come easily, which makes her journey feel realistic and earned. Some children will never have the validation of a relative who looks like them, but the love the heroine’s mother shows her daughter, even when she makes mistakes, provides comfort and opportunities for parents to discuss distinctions with questioning kids. Wolcott’s (Dream It! Do It!, 2015, etc.) illustrations are wonderful throughout, capturing Curlee Girlee’s spirit perfectly, with the exception of one seemingly misplaced image that is missing all the goop she’s created. Curlee Girlee’s features are pale, and her hair is light brown, but the infectious child, the loving family, and the moral of learning to like your own appearance should ring true even for those who don’t see themselves reflected in the cute pictures.

A charmingly illustrated book with a strong heroine, a solid message, and an accessible vocabulary for newly independent readers.

Pub Date: Nov. 15, 2016

ISBN: 978-0-9968438-1-2

Page Count: 32

Publisher: Sandbox Publishing

Review Posted Online: April 27, 2017

Kirkus Reviews Issue: June 15, 2017

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OTIS

From the Otis series

Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)

Pub Date: Sept. 1, 2009

ISBN: 978-0-399-25248-8

Page Count: 40

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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