Fans will doubtless be happy to revisit old friends, but they will probably still reach for the original more than this once...

THE FULL MOON AT THE NAPPING HOUSE

Thirty-one years after a wakeful flea roused the heaped-up sleepers in The Napping House, a full moon finds the household struggling to get back to sleep.

“There is a house, / a full-moon house, / where everyone is restless,” from “sleepless granny” to “fidgety child” to “playful dog” to “prowling cat” to “worried mouse.” Don Wood’s acrylics re-create the familiar bedroom with a deep blue, nighttime palette. Though the house’s denizens are restless, its furniture oozes sleepiness, the comfortably rounded bedsteads and chair back slumping forward slightly in sympathy with the granny, who is clearly desperate to get some shut-eye. In this visit to the familiar house, a “chirping cricket” finally settles everyone down with a “full-moon song” until “no one now is restless.” Audrey Wood’s cumulative story takes the same pattern as in the previous book, a mirroring that its fans will instantly recognize but that works against this follow-up’s concept. The sonorous lines are almost identical to those that describe the sleepers in the first book, but they do not conjure restlessness; moreover, as the cricket’s song works its magic and sends the characters to sleep, the page turns speed up instead of slowing down for a far-from-sleepy effect. Don Wood wisely eschews the temptation to replicate the first book’s humorously indelible image of sleeper piled upon sleeper, instead varying composition and perspective slightly with each double-page spread to create a gentle turbulence that slows down gradually as the characters calm.

Fans will doubtless be happy to revisit old friends, but they will probably still reach for the original more than this once the novelty wears off. (Picture book. 4-8)

Pub Date: Sept. 1, 2015

ISBN: 978-0-544-30832-9

Page Count: 32

Publisher: HMH Books

Review Posted Online: June 28, 2015

Kirkus Reviews Issue: July 15, 2015

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Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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Charming characters, a clever plot and a quiet message tucked inside a humorous tale.

YOU ARE (NOT) SMALL

From the You Are (Not) Small series

Fuzzy, bearlike creatures of different sizes relate to one another in an amusing story that explores the relative nature of size.

A small purple creature meets a similarly shaped but much larger orange critter. The purple creature maintains that the orange creature is “big”; the orange one counters by calling the purple one “small.” This continues, devolving into a very funny shouting match, pages full of each type of creature hollering across the gutter. This is followed by a show-stopping double-page spread depicting two huge, blue legs and the single word “Boom!” in huge display type. Tiny, pink critters then float down by parachute, further complicating the size comparisons. Eventually, these brightly colored animals learn to see things in a different way. In the end, they decide they are all hungry and trudge off to eat together. The story is told effectively with just a few words per page, though younger readers might need help understanding the size and perspective concepts. Cartoon-style illustrations in ink and watercolor use simple shapes with heavy black outlines set off by lots of white space, with an oversized format and large typeface adding to the spare but polished design. While the story itself seems simple, the concepts are pertinent to several important social issues such as bullying and racism, as well as understanding point of view.

Charming characters, a clever plot and a quiet message tucked inside a humorous tale. (Picture book. 4-8)

Pub Date: Aug. 5, 2014

ISBN: 978-1-4778-4772-5

Page Count: 32

Publisher: Two Lions

Review Posted Online: June 29, 2014

Kirkus Reviews Issue: July 15, 2014

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