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WHAT PATIENTS TAUGHT ME

Name: WHAT PATIENTS TAUGHT ME
Author: Audrey Young
ISBN: 1-57061-396-6

A MEDICAL STUDENT’S JOURNEY

by Audrey Young ‧ RELEASE DATE: Oct. 1, 2004

Welcome evidence that the art of medicine is still being taught and practiced in a world where technology has all the...

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Straightforward account of Young’s time in a program that apprentices students to rural physicians.

The author, now a staff physician at the University of Washington, was a medical student there when she learned of WWAMI, a program that exposes medical students to rural medicine in Washington, Wyoming, Alaska, Montana, and Idaho. Her first placement was a month-long tour of duty in a remote Eskimo outpost where the standard garb for doctors consisted of jeans, hiking boots, and a stethoscope; her first lessons came mainly from watching and listening. Subsequently, she did hospital rotations in Pocatello, Idaho (pediatrics), and Missoula, Montana (internal medicine). With each assignment, Young’s responsibilities increased and she became more of a participant in patient care. She learned the art of connecting with patients and the importance of listening to their stories. By the end of her third year, in love with medicine as she had seen it practiced and yearning to move beyond the rural Pacific Northwest, she took a residency position in South Africa. The lessons there were harsher. With resources extremely limited, HIV skyrocketing, and tuberculosis and diabetes widespread, Young found that doctors had to choose whom to help; the choice was often simply to help those who had a chance to survive. Overwhelmed by disease and death, she nevertheless completed her residency and returned as a full-fledged general internist to Seattle, where she took on the care of patients in a community of refugees and the homeless. WWAMI, Young avers, gave her “intense glimpses into the human experience” and taught her that the patient’s story, the most human element in medical practice, is often the highest reward of doctoring. As she puts it, “Sometimes I enter a story and find I can bring a little light and relief to human suffering.”

Welcome evidence that the art of medicine is still being taught and practiced in a world where technology has all the glamour.

Pub Date: Oct. 1, 2004

ISBN: 1-57061-396-6

Page Count: 240

Publisher: Sasquatch

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2004

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.