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CHOICES

TO THE HILLS AND BACK AGAIN

Hard-earned insights to help those struggling to find a sense of self.

Patridge chronicles her rise to prominence on the reality show circuit, from her time on The Hills to her turn on Dancing With the Stars.

In the mid-2000s, a producer for MTV discovered the author poolside in Los Angeles. From there, she writes, she began to split into two people: her reality TV star persona and the real Audrina. Fans of The Hills and similar shows will appreciate the behind-the-scenes dishing and celebrity gossip, but they will also gain a greater understanding of how “real” reality TV actually is. Patridge shows us the tactics used by producers to pull their stars’ marionette strings, and she writes about having to argue with friends and kiss men to increase drama. The orchestrations necessary for good TV clearly took their toll, and readers see how many of the choices in Patridge’s life were made for her. Afraid to let anyone down and scared to decide for herself, she was a confused young woman who often selected unsuitable partners and eventually married an abusive and controlling Australian BMX star. It’s only when her daughter, Kirra, was born that Patridge committed to taking control of her life. With the love and support of her parents and siblings, she escaped her marriage and started living for her daughter. In raising Kirra to be brave, strong, and unaffected by the thoughts and opinions of those outside her inner circle, the author is also taking her own inner child by the hand and guiding her to a brighter future. Because it’s Hollywood, Patridge’s particular future includes a lifestyle brand, Prey Swim, and the text is often unsurprisingly breezy. Through it all, though, readers will root for her, as she provides a very real account of reality TV and all its trappings.

Hard-earned insights to help those struggling to find a sense of self.

Pub Date: July 26, 2022

ISBN: 978-1-982-18381-3

Page Count: 224

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: May 17, 2022

Kirkus Reviews Issue: June 15, 2022

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LAST RITES

A charming and often poignant valediction from rock ’n’ roll’s Prince of Darkness.

The late heavy metal legend considers his mortality in this posthumous memoir.

“I ain’t ready to go anywhere,” writes Osbourne in the opening pages of his new memoir. “It’s good being alive. I like it. I want to be here with my family.” Given the context—Osbourne died on July 22, 2025, two weeks after the publisher announced the news of this book—it’s undeniably sad. But the rest of the text sees the Black Sabbath singer confronting the health struggles of his last years with dark humor and something approaching grace. The memoir begins in 2018; he wrote an earlier one, I Am Ozzy, in 2010. He tells of a staph infection he suffered that proved to be the start of a long, painful battle with various illnesses—soon after, he contracted a flu, which morphed into pneumonia. A spinal injury caused by a fall followed, causing him to undergo a series of surgeries and leaving him struggling with intense pain. And then there was his diagnosis of Parkinson’s disease, the treatment of which was complicated by his longtime struggle with alcohol and drug addiction. Osbourne peppers the chronicle of his final years with anecdotes from his past, growing up in Birmingham, England, and playing with—and then being fired from—Black Sabbath, and some of his most well-known antics (yes, he does address biting the heads off of a dove and a bat). He writes candidly and regretfully about the time he viciously attacked his wife, Sharon—the book is in many ways a love letter to her and his children. The memoir showcases Osbourne’s wit and charm; it’s rambling and disorganized, but so was he. It functions as both a farewell and a confession, and fans will likely find much to admire in this account. “Death’s been knocking at my door for the last six years, louder and louder,” he writes. “And at some point, I’m gonna have to let him in.”

A charming and often poignant valediction from rock ’n’ roll’s Prince of Darkness.

Pub Date: Oct. 7, 2025

ISBN: 9781538775417

Page Count: 368

Publisher: Grand Central Publishing

Review Posted Online: Oct. 7, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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