A gripping pirate story as historically astute as it is dramatically captivating.
A slave finds freedom in a life of piracy in this novel set in 19th-century China.
At the tender age of 13, Xianggu is sold into slavery by her father, an unfeeling man saddled with debts. She becomes the property of Madam Xu, a shrewd woman who runs a floating brothel in Guangzhou. Xianggu works as a “flower girl” for 10 long years, both a slave and a prostitute, her virginity sacrificed to a paying customer. All the while, she pines for some measure of independence and dreams of emulating Madam Xu and becoming an entrepreneur as well: “I saw my customers as a way to climb up, not fall under.” But those dreams come to a crashing end when the “flower boat” is commandeered by the Red Flag fleet, a notorious band of pirates. Xianggu cleverly bargains for her life and eventually becomes the mistress and then wife of Zheng Yi, the squad boss who commands the largest squadron in the fleet. She learns the violent art of “sea banditry” and rises within the ranks of a deadly crew of remorseless criminals, an opportunity to effect her own emancipation: “Prostitution required the violation of my body. Piracy required my soul. The first enslaved me. The second set me free.” Bardot thrillingly details Xianggu’s ascendancy from abject poverty to a position of respected leadership among the hardest of men. A memorable character, Xianggu poignantly exemplifies a broader “story about how to survive in a cruel world, how to claw one’s way to the top, how one must do horrible things to live another day.” The author delivers a tale that is historically authentic, rigorously researched, and a moving portrayal of a remarkable but morally compromised life.
A gripping pirate story as historically astute as it is dramatically captivating.Pub Date: July 25, 2019
ISBN: 978-0-9882092-7-5
Page Count: 446
Publisher: Flores Publishing
Review Posted Online: June 3, 2020
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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