by Avi Steinberg ‧ RELEASE DATE: Oct. 21, 2014
A mixed bag. Relating his occasionally amusing adventures in breezy slang, Steinberg seems to be vying for the same audience...
A search for the roots of Mormonism.
Steinberg (Running the Books: The Adventures of an Accidental Prison Librarian, 2009), who is not a Mormon, admires The Book of Mormon and its translator and publisher, Joseph Smith. “Joseph’s ambition to publish his bible,” writes the author, “struck me as a refreshingly honest acknowledgment of what it means to be a writer, a regular Joe with an unreasonable faith in oneself and in literature.” Steinberg sees the book as an exemplary tale “about writing books.” Every few pages,” he notes, “the story’s various narrators describe to us how the writing of this book is going.” Moreover, he considers it a prototype of “the big American literary project…to create America in words and deliver it to the people in a book as big and shameless and unruly and haunted and deeply problematic as the country itself.” He admits, of course, that the book is a religious tract and Smith, a Mormon prophet, so to investigate “the difference between prophecy and fabrication, angels and inspiration, delusion and fact,” he “set out on a journey through the exotic locales of this lost Great American Novel.” Steinberg’s travelogue is more about those locales and his personal trials and self-doubts than about theology. His marriage was doomed, he confesses, and he was worried about his writing career, which explains his eagerness to learn about writing from Smith. His journey took him to Jerusalem, where the sect began; Central America, where seminal events occurred; the Midwest, site of the real Garden of Eden; and Hill Cumorah, in New York, where Smith allegedly dug up the golden plates on which the book was inscribed.
A mixed bag. Relating his occasionally amusing adventures in breezy slang, Steinberg seems to be vying for the same audience that has made Broadway’s Book of Mormon such a huge hit.Pub Date: Oct. 21, 2014
ISBN: 978-0385535694
Page Count: 288
Publisher: Nan A. Talese
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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