Central Park’s furred and feathered residents face an incursion of gangster rats in this turn-of-the-20th-century tale of baseball, interspecies romance, and ingenuousness triumphant. The sudden appearance of Big Daddy Duds and his well-armed thugs compels Oscar Westerwit, a bon vivant squirrel who considers himself the park’s unofficial “Mayor,” to take action. His ragtag “army” is quickly dispersed, but unexpected allies have been at work behind the scenes, and persuade Oscar to play on Duds’s predilection for baseball by challenging him to a winner-take-all game. With Oscar’s new heartthrob Maud making a surprise appearance on the mound, the good guys come out on top, of course. Told in rollicking, streetwise language, the episode rolls fluidly along, and aside from one wounded rabbit the violence never escalates beyond threats—but there’s more baseball talk than baseball action. Avi can do better than this predictable plot, and despite his habit of calling park residents “voters,” and Floca’s natty Wind in the Willows–type animal figures, any satiric or metaphorical subtext is buried beyond recovery. (Fiction. 10-12)
Pub Date: Sept. 1, 2003
ISBN: 0-06-000682-X
Page Count: 208
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2003
It’s great to see these kids “so enthusiastic about committing high treason.” (historical note) (Historical fiction. 10-12)
Near the end of World War II, two kids join their parents in a plot to kill Adolf Hitler.
Max, 12, lives with his parents and his older sister in a Berlin that’s under constant air bombardment. During one such raid, a mortally wounded man stumbles into the white German family’s home and gasps out his last wish: “The Führer must die.” With this nighttime visitation, Max and Gerta discover their parents have been part of a resistance cell, and the siblings want in. They meet a colorful band of upper-class types who seem almost too whimsical to be serious. Despite her charming levity, Prussian aristocrat and cell leader Frau Becker is grimly aware of the stakes. She enlists Max and Gerta as couriers who sneak forged identification papers to Jews in hiding. Max and Gerta are merely (and realistically) cogs in the adults’ plans, but there’s plenty of room for their own heroism. They escape capture, rescue each other when they’re caught out during an air raid, and willingly put themselves repeatedly at risk to catch a spy. The fictional plotters—based on a mix of several real anti-Hitler resistance cells—are portrayed with a genuine humor, giving them the space to feel alive even in such a slim volume.
It’s great to see these kids “so enthusiastic about committing high treason.” (historical note) (Historical fiction. 10-12)Pub Date: April 21, 2020
ISBN: 978-1-338-35902-2
Page Count: 192
Publisher: Scholastic
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: Feb. 15, 2020
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK TO SCREEN
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