Clearly produced and filled with Hollywood-quality animation, voice talent and multimedia features, this retro-futurist app is out of this world in many ways. Like Jack and the Beanstalk, another winner from Ayars Animation, the story of little green space creature Cozmo's trip to his office is packed with fun. While it doesn't have a rich traditional story to lean on, as Jack did, this app goes wild with such inventions as an adorable robot chef (who doubles as a popcorn machine), zooming personal spaceships and bulbous cityscapes. The art style is reminiscent of 1950s imaginings of the space-bound future; metal antennae and gas pumps exist alongside space travelers and aliens. The story, told in (pedestrian) rhyme, is narrated by an ecstatic-sounding announcer. In an inspired bit of programming, that narration, or reader narration recorded by the app, can be pitch-adjusted with a simple slider. It's an unnecessary but very fun feature older parents who may once have played their LPs at 45 RPM will appreciate. As hard as the text tries ("Now Cozmo hopped in his swift little ship / 'Buckle your seatbelt,' the rocket would quip' "), it can't compare to the lush visuals or the plethora of elements on screen that fly, explode or, in one memorable instance, fill the screen with fire-extinguisher foam. The app’s comprehensive list of options may be daunting, but the developer has thought of everything: It includes a help document for parents that reveals every hidden nugget in the app's 10 pages. It turns out there are more than 100. Few story apps are as ambitious, as eye-catching or as playful as Cozmo's. (iPad storybook app. 4-12)
Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Jan. 12, 2011
Kirkus Reviews Issue: Feb. 15, 2011
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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