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DIQUE DOMINICAN

A brutally raw, poignant, and literary coming-of-age memoir.

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Bonifacio tells his immigration story as a Dominican raised in Brooklyn in this updated second edition of his debut memoir.

The author was born in the Dominican Republic and raised in Section-8 housing in Brooklyn; he moved from poverty to the ivory towers of academia to become a professor of English at the University of Toledo. While his account is a deeply personal story of survival, brilliance, and grit, he also connects his autobiography to a larger history of immigrants and poor, marginalized Americans. “I was, to most of the people who met me and myself, a punk-ass Dominican immigrant,” he writes of his experiences in high school as a self-described “dique gangsta.” “Dique,” the Dominican Spanish word for “supposedly,” became a defining descriptor for Bonifacio’s life as he grappled with fundamental questions of identity. A major theme of the work is the author’s strained relationship with his father. “Papi’s love was rare,” he writes, describing being physically beaten as a child, and the author notes that the fear of his father’s violence “was [his] teacher for [Bonifacio’s] own budding machismo.” The author is brutally honest about himself, emphasizing the ways in which anger fueled his relationship with his family and defined his view of the world around him. Bonifacio’s memoir was originally published in 2017 while the author was finishing his doctorate degree—this updated and expanded edition covers major events in his life since that time (including the birth of his daughter and a budding academic career) while also commenting on the major escalation of “state repression” against immigrants under the second administration of President Donald Trump. The author of two poetry collections, whose work has appeared in The New York Times and other leading national publications, Bonifacio balances conversational, intimate prose (replete with curse words and Spanish phrases translated in footnotes) with a grounding in literary criticism and theory. The text includes bountiful quotes regarding racism, classism, and intersectionality from a range of authors, including bell hooks, James Baldwin, and Karl Marx.

A brutally raw, poignant, and literary coming-of-age memoir.

Pub Date: Jan. 31, 2026

ISBN: 9781963115673

Page Count: 248

Publisher: Unsolicited Press

Review Posted Online: Sept. 15, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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WHEN WE SEE YOU AGAIN

Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.

Remembering “Hershy.”

Three hundred and twenty-eight days. That’s how long Hersh Goldberg-Polin was held in captivity—tortured and starved by his captors in underground tunnels—before he was executed. He was 23 years old. In this unvarnished and heartrending account, Goldberg-Polin’s mother, Rachel, writes of the unending torment that she and her husband, Jon, endured after learning that their son had been kidnapped by Hamas terrorists during the attacks of October 7, 2023. Like so many other young people on that day, Hersh was attending a music festival in Israel—a celebration of love and unity. As Goldberg-Polin writes, her son was “the only American citizen kidnapped alive on October 7th who did not return alive.” In direct, plainspoken language that steers clear of politics, the author, a Jewish educator, recounts “being in a daze of the most indescribably sickening horror and fear, like nothing I had ever felt in my life. I remember my heart racing and feeling like I was in a permanent state of someone scaring me.” In addition to “shovel[ing] out my pain in the form of words,” she shares reminiscences of her son, as well as details that only a parent could notice. “His eyes were cookies,” she says of her “Hershy.” “I couldn’t find the pupils within the dark chocolate-brown irises.…He had a raspy voice, even when he was a baby.” And: “I thought he was hilarious; his sarcasm and humor were similar to mine.” Hersh and his sisters, Leebie and Orly, adapted well to life in Israel after the family moved from Richmond, Virginia. (Hersh was born in the Bay Area.) After being discharged from his service in the Israeli army as a combat medic, he was planning to journey around the world—a longtime dream of his. “So many people have come to love you, Hersh,” Jon Polin writes in the book’s afterword. And with one simple word that has the power to touch any heart, he signs off: “Dada.”

Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.

Pub Date: April 21, 2026

ISBN: 9798217198009

Page Count: 288

Publisher: Random House

Review Posted Online: April 21, 2026

Kirkus Reviews Issue: June 1, 2026

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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