by B. Harlan Deemer ‧ RELEASE DATE: Feb. 11, 2021
An overlong compilation that focuses too heavily on rhyme schemes and not enough on substance.
A lengthy collection of rhyming poems written over a span of 40 years.
This massive book is divided into eight sections. In the first, “Sonnets’ Prisoners,” Deemer discusses such diverse topics as the resurgence of swastikas, and a lap dance. In the poem “Denn Bleiben ist Nirgends,” he contemplates the generational divide between older men like himself and younger ones at a bar. The second section, “Boy-Katt and Dawg-Grrl,” kicks off with a poem about the speaker’s need for “a kind hand’s good petting” and turns into a catalog of various sexual acts before chastising people who dislike sex. The “Quiet Times (QTz) and Countrified Nonhaiku” section explores faith through short sermons, prayers, and parables. In the next section, “Countrified Haiku,” the poet tries his hand at the titular Japanese poetry form. “SS: Sauna Songs” zeroes in on aging and its effect on romantic prospects. The author translates poems by the likes of C.D. Balmont and Francisco de Quevedo in “Other Tongues: Translations and….” Works of remembrance and meditations on death comprise the next part, and the book concludes with “ZpZm,” a section that comprises a lament on the ephemerality of people, love, peace, and nature. Deemer impressively manages to explore a wide array of topics throughout this collection, incorporating themes of politics, desire, spirituality, mortality, and the act of writing itself. However, this breadth of topics is this book’s sole strength. Often, the poet employs crude sexual descriptions, such as “its muscled ass flexed, / building up love’s fart.” Other poems feature cultural insensitivity, such as “One Indian Summer Day Without a Care” in which the speaker declares: “Everything Indian was so much neater.” The excessive rhyming quickly becomes cloying, and the poems themselves are mostly rootless, taking place in unspecified times and nebulous places with scant details. As such, this collection in unlikely to hold many readers’ attention for its length of more than 600 pages.
An overlong compilation that focuses too heavily on rhyme schemes and not enough on substance.Pub Date: Feb. 11, 2021
ISBN: 978-1-66-415746-0
Page Count: 614
Publisher: Xlibris Corp
Review Posted Online: July 21, 2021
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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