Boston readers might enjoy the close attention to city landmarks, but there’s not much else to recommend this thriller.
An eclectic cast of characters converges in a self-storage warehouse where crime lurks in every unit.
“Metropolis” is the name of a seedy self-storage facility in Cambridge, Massachusetts, where several renters are hiding more than old furniture and paperwork. Liddy, a wealthy housewife with a violent husband, spends drug-fueled afternoons in a unit stuffed with her children's old toys. Jason, a lawyer fired from his prestigious firm and left by his wife, hangs a shingle outside his unit and practices law from a makeshift office inside. Marta, a brilliant Venezuelan graduate student whose visa has been revoked, lives in her unit while on the run from U.S. Immigration and Customs Enforcement. The building’s owner, Zach, and his employee, Rose, look the other way when renters break the law by occupying units intended for inanimate objects. These arrangements might have continued peacefully were it not for a violent incident, foreshadowed on the first page, in which a man is seriously injured in the building’s elevator shaft. Through chapters narrated from the perspectives of several characters, the story of the incident—and its aftermath—unfolds slowly. Unfortunately, the characters are wooden, making it difficult to invest in their demise or salvation. The attempt to create a racially diverse cast flounders due to careless reliance on stereotypes. Black characters, including Jason, consistently curse more than White characters, both in unconvincing dialogue and in interior monologue. Marta, the undocumented immigrant, has little storyline beyond her panicked desire to stay in America. A snappy plot or spirited sentences might partially salvage the stock characters, but this novel has neither.
Boston readers might enjoy the close attention to city landmarks, but there’s not much else to recommend this thriller.Pub Date: May 17, 2022
ISBN: 978-1-61620-958-2
Page Count: 368
Publisher: Algonquin
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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