At once personal and universal, this book is about finding a path to awareness, understanding, and wisdom.
A South Korean author recounts her long journey through anxiety and depression.
Tteokbokki is a popular Korean dish of bland rice cakes immersed in a spicy pepper sauce. The duality is a good metaphor for this book, a bestseller in South Korea. Baek has dysthymia, a low-level but persistent depression. The narrative is primarily a collection of the author’s discussions with her therapist, punctuated with short essays leavened by the poignancy of self-reflection and occasional flashes of humor. Though issues involving mental health continue to be stigmatized, Baek is clear in her belief that her story could help those in similar circumstances. “I wonder about those like me, who seem totally fine on the outside but are rotting on the inside,” she writes, “where the rot is this vague state of being not-fine and not-devastated at the same time.” While the author realizes that many of her problems stem from a painful family background, she also examines the pressure on Korean women to conform to an idealized image. She worries constantly about her appearance and what other people think about her, a mindset that plagues many Korean women. Some of the author’s discussions relate directly to Korean culture, but much of it transcends borders and will resonate with readers around the world. As she gradually worked through the therapy process, Baek learned how to avoid the emotional roller coaster that comes with dysthymia and how to avoid constantly judging herself and others. Though the act of living always comes with ups and downs, it’s important to keep them in context and seek an appropriate balance. Baek acknowledges that she might never be entirely free of her dysthymia, but she can manage it, live with it, and understand it as part of her being.
At once personal and universal, this book is about finding a path to awareness, understanding, and wisdom.Pub Date: Nov. 1, 2022
ISBN: 978-1-63557-938-3
Page Count: 208
Publisher: Bloomsbury
Review Posted Online: June 1, 2022
Kirkus Reviews Issue: July 1, 2022
BOOK REVIEW
IN THE NEWS
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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