This novel explores the lives of maids and caregivers in Singapore with admirable craft and care.
A Filipina domestic worker is accused of murdering her employer in Singapore.
Corazon Bautista, who was once an advocate for workers like her, has returned to Singapore after a spell in the Philippines, older and wearier after having suffered a devastating loss in her home country. She is placed with Elizabeth Lee, a widow whose compassion causes Cora more complications than she could have imagined. Her old friend Angel has a broken heart and her own set of challenges, especially from the college-aged son of her longtime employers. But Cora’s and Angel’s troubles are no match for those of proud, young, persistent Donita, who’s stuck working for the vicious Mrs. Fann, whose cruelty has communitywide ripple effects. When the news breaks that a woman named Carolyn Hong has been murdered and Flordeliza Martinez, her maid, has been taken into custody, Cora, Angel, and Donita find their position in Singaporean society has become even more precarious overnight. They shouldn’t get involved given their pasts and their present circumstances, but the mystery of what really happened and who’s to blame engulfs them anyway. Author Jaswal weaves this captivating story with superb skill. Cora, Angel, and Donita are engaging characters with rich inner lives and personal histories. Their relationships with each other; their employers and the Republic of Singapore; and their families and homeland provide extraordinary texture to the violent crime at the story’s center. The novel doesn’t shy away from contemporary politics but doesn’t preach, either. Rather, it examines the lives of people who are part of a complex, often exploitative global system that devalues the lives of women and the profound responsibilities that are classified as women’s work—the rules these women must abide, both spoken and unspoken, their hopes and aspirations, and their varied grief. It’s a layered, compelling read.
This novel explores the lives of maids and caregivers in Singapore with admirable craft and care.Pub Date: March 7, 2023
ISBN: 9780063161603
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
BOOK REVIEW
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A fresh and clever whodunit with an engaging twist.
A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.
Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”
A fresh and clever whodunit with an engaging twist.Pub Date: July 29, 2025
ISBN: 9781805335436
Page Count: 288
Publisher: Pushkin Vertigo
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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