By turns erotic, romantic, and mysterious, this tale of women defying patriarchal strictures enchants.
Appalled that her sister, Mindi, would even consider an arranged marriage, Nikki Grewal reluctantly pins Mindi’s dating profile to their Sikh temple’s marriage board. But Nikki may be the sister whose life changes.
Nikki has pretty much disgraced herself and her family—British, Punjabi, Sikh—several times over: in addition to dropping out of law school, she’s moved out of the family home and into her own flat above O’Reilly’s pub, where she tends bar. She’s also taken several lovers, none of whom she ever intended to marry. So Mindi’s desire for a traditional arranged marriage bewilders Nikki, particularly since Mindi has a successful career as a nurse and doesn't need anyone else to support her. While posting the profile, though, Nikki notices an advertisement for a writing instructor. Although disinclined to hire a young, modern woman, Kulwinder Kaur, Community Development Director of the Sikh Community Association, has had no other applicants. So Nikki begins teaching a group of Punjabi widows, who quickly hijack her lesson plans. Instead of teaching a creative writing course, or even an introductory English literacy course, Nikki finds herself facilitating an erotic storytelling workshop. The widows delight in telling titillating tales of illicit sexual encounters despite the danger of discovery by the Brothers, the self-appointed morality police. As Nikki deepens her relationships with the widows—and finds a new boyfriend along the way—she learns of the strange death of Kulwinder’s daughter, Maya, who may have been accused of dishonorable behavior. But trying to discover what happened to Maya may land Nikki herself in trouble. With a keen ear for dialogue and humor, Jaswal (Sugarbread, 2016, etc.) deftly entwines these women’s lives, creating a world in which women of multiple generations find common ground in the erotic fantasies that reveal both lived experiences and wistful dreams.
By turns erotic, romantic, and mysterious, this tale of women defying patriarchal strictures enchants.Pub Date: June 13, 2017
ISBN: 978-0-06-264512-8
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: March 20, 2017
Kirkus Reviews Issue: April 1, 2017
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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