A Filipina domestic worker is accused of murdering her employer in Singapore.
Corazon Bautista, who was once an advocate for workers like her, has returned to Singapore after a spell in the Philippines, older and wearier after having suffered a devastating loss in her home country. She is placed with Elizabeth Lee, a widow whose compassion causes Cora more complications than she could have imagined. Her old friend Angel has a broken heart and her own set of challenges, especially from the college-aged son of her longtime employers. But Cora’s and Angel’s troubles are no match for those of proud, young, persistent Donita, who’s stuck working for the vicious Mrs. Fann, whose cruelty has communitywide ripple effects. When the news breaks that a woman named Carolyn Hong has been murdered and Flordeliza Martinez, her maid, has been taken into custody, Cora, Angel, and Donita find their position in Singaporean society has become even more precarious overnight. They shouldn’t get involved given their pasts and their present circumstances, but the mystery of what really happened and who’s to blame engulfs them anyway. Author Jaswal weaves this captivating story with superb skill. Cora, Angel, and Donita are engaging characters with rich inner lives and personal histories. Their relationships with each other; their employers and the Republic of Singapore; and their families and homeland provide extraordinary texture to the violent crime at the story’s center. The novel doesn’t shy away from contemporary politics but doesn’t preach, either. Rather, it examines the lives of people who are part of a complex, often exploitative global system that devalues the lives of women and the profound responsibilities that are classified as women’s work—the rules these women must abide, both spoken and unspoken, their hopes and aspirations, and their varied grief. It’s a layered, compelling read.
This novel explores the lives of maids and caregivers in Singapore with admirable craft and care.Pub Date: March 7, 2023
ISBN: 9780063161603
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
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BOOK REVIEW
BOOK REVIEW
A wistfully nostalgic look at endings, beginnings, and loving the people who will always have your back.
47
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Exes pretend they’re still together for the sake of their friends on their annual summer vacation.
Wyn Connor and Harriet Kilpatrick were the perfect couple—until Wyn dumped Harriet for reasons she still doesn’t fully understand. They’ve been part of the same boisterous friend group since college, and they know that their breakup will devastate the others and make things more than a little awkward. So they keep it a secret from their friends and families—in fact, Harriet barely even admits it to herself, focusing instead on her grueling hours as a surgical resident. She’s ready for a vacation at her happy place—the Maine cottage she and her friends visit every summer. But (surprise!) Wyn is there too, and he and Harriet have to share a (very romantic) room and a bed. Telling the truth about their breakup is out of the question, because the cottage is up for sale, and this is the group’s last hurrah. Determined to make sure everyone has the perfect last trip, Harriet and Wyn resolve to fake their relationship for the week. The problem with this plan, of course, is that Harriet still has major feelings for Wyn—feelings that only get stronger as they pretend to be blissfully in love. As always, Henry’s dialogue is sparkling and the banter between characters is snappy and hilarious. Wyn and Harriet’s relationship, shown both in the past and the present, feels achingly real. Their breakup, as well as their complicated relationships with their own families, adds a twinge of melancholy, as do the relatable growing pains of a group of friends whose lives are taking them in different directions.
A wistfully nostalgic look at endings, beginnings, and loving the people who will always have your back.Pub Date: April 25, 2023
ISBN: 9780593441275
Page Count: 400
Publisher: Berkley
Review Posted Online: Feb. 23, 2023
Kirkus Reviews Issue: March 15, 2023
Categories: ROMANCE | CONTEMPORARY ROMANCE | GENERAL ROMANCE | GENERAL FICTION
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Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
61
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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Categories: ROMANCE | CONTEMPORARY ROMANCE | GENERAL ROMANCE | GENERAL FICTION
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SEEN & HEARD
SEEN & HEARD
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