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THE FIELD

Irresistible fun.

Gather around for a boisterous game of futbol in Paul and Alcántara’s excellent picture-book debut.

To begin, the players assemble. With a ball at the ready, one young player calls on others—children, and even adults—to join in. Readers see a diverse cast of mostly dark-skinned characters often gendered in implicit ways. Everyone heads on over to the field, where each player warms up. As the group splits into teams of “friends versus friends,” one brave player shoos away the grazing cows. The game then begins. Basing the narrative on his experiences growing up in Saint Lucia, Paul weaves in italicized Creole phrases and words alongside their English counterparts in such a way that the text bursts with infectious joy. “Isi!” shouts a player, while another player cries “This way!” But suddenly, clouds block the sun and rain falls. “Fini? Game over?” Of course not. The friendly scuffle continues on the muddy field, through every splash, slide, and flop. Colorful and dynamic, Alcántara’s pictures depict an island community in lush shades of green and blue dotted with houses of bright red and orange; in one series of striking illustrations, the players’ vibrant clothing contrasts against muddied backgrounds. Watch the sun appear again when one player scores a “GOOOOOOOOOOOOOOOAL!” It’s a triumphant, earned moment that lingers even as the story reaches its suitably subdued coda.

Irresistible fun. (author’s note, bibliography, glossary) (Picture book. 4-8)

Pub Date: March 6, 2018

ISBN: 978-0-7358-4312-7

Page Count: 32

Publisher: NorthSouth

Review Posted Online: Nov. 26, 2017

Kirkus Reviews Issue: Dec. 15, 2017

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READ ALL ABOUT IT!

Visually sweet, though hampered by disjointed storytelling.

In this picture book from Fox News journalist Hall, a young hedgehog must find a way to protect his community when peril looms.

Hedgehog and his father both have busy days ahead. Dad’s on his way to the newspaper to report “what new news the news brings.” Hedgehog packs his backpack for an adventure, mindful of Dad’s rules: “Don’t talk to strangers” and “never ever cross the river alone.” Obeying the rules proves difficult when Hedgehog notices commotion on the other side of the river: A bear is hungrily eyeing Baby Owl, who’s fallen from her tree. With creative thinking, Hedgehog frightens off the bear and alerts Mama Owl, but the predator is still at large. So Hedgehog and Mama Owl create flyers to warn the forest residents. Though Motzo’s airy illustrations are pleasing—particularly the adorably animated Hedgehog, a tribute to Hall’s own children—the narrative feels bogged down with multiple themes as it attempts to explore the power of the written word, the importance of community, and the need to adhere to a parent’s rules. When Hedgehog apologizes for his apparent disobedience, Dad explains that Hedgehog never actually broke the rules; turns out it’s OK to cross the river in the company of an adult, and Mama Owl’s no stranger (she’s the town librarian, whom Hedgehog sees every week). The back-and-forth may leave readers confused; it also feels like a missed opportunity to discuss how to identify trustworthy adults.

Visually sweet, though hampered by disjointed storytelling. (Picture book. 4-8)

Pub Date: March 3, 2026

ISBN: 9780063357549

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 26, 2025

Kirkus Reviews Issue: Feb. 1, 2026

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MAYA'S BIG QUESTION

From the Ambitious Girl series , Vol. 3

Another empowering outing led by a dynamic young role model.

The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.

On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.

Another empowering outing led by a dynamic young role model. (Picture book. 5-8)

Pub Date: Feb. 3, 2026

ISBN: 9780316561341

Page Count: 40

Publisher: Little, Brown

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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