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THE FIELD

Irresistible fun.

Gather around for a boisterous game of futbol in Paul and Alcántara’s excellent picture-book debut.

To begin, the players assemble. With a ball at the ready, one young player calls on others—children, and even adults—to join in. Readers see a diverse cast of mostly dark-skinned characters often gendered in implicit ways. Everyone heads on over to the field, where each player warms up. As the group splits into teams of “friends versus friends,” one brave player shoos away the grazing cows. The game then begins. Basing the narrative on his experiences growing up in Saint Lucia, Paul weaves in italicized Creole phrases and words alongside their English counterparts in such a way that the text bursts with infectious joy. “Isi!” shouts a player, while another player cries “This way!” But suddenly, clouds block the sun and rain falls. “Fini? Game over?” Of course not. The friendly scuffle continues on the muddy field, through every splash, slide, and flop. Colorful and dynamic, Alcántara’s pictures depict an island community in lush shades of green and blue dotted with houses of bright red and orange; in one series of striking illustrations, the players’ vibrant clothing contrasts against muddied backgrounds. Watch the sun appear again when one player scores a “GOOOOOOOOOOOOOOOAL!” It’s a triumphant, earned moment that lingers even as the story reaches its suitably subdued coda.

Irresistible fun. (author’s note, bibliography, glossary) (Picture book. 4-8)

Pub Date: March 6, 2018

ISBN: 978-0-7358-4312-7

Page Count: 32

Publisher: NorthSouth

Review Posted Online: Nov. 26, 2017

Kirkus Reviews Issue: Dec. 15, 2017

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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