Irresistible fun.
Gather around for a boisterous game of futbol in Paul and Alcántara’s excellent picture-book debut.
To begin, the players assemble. With a ball at the ready, one young player calls on others—children, and even adults—to join in. Readers see a diverse cast of mostly dark-skinned characters often gendered in implicit ways. Everyone heads on over to the field, where each player warms up. As the group splits into teams of “friends versus friends,” one brave player shoos away the grazing cows. The game then begins. Basing the narrative on his experiences growing up in Saint Lucia, Paul weaves in italicized Creole phrases and words alongside their English counterparts in such a way that the text bursts with infectious joy. “Isi!” shouts a player, while another player cries “This way!” But suddenly, clouds block the sun and rain falls. “Fini? Game over?” Of course not. The friendly scuffle continues on the muddy field, through every splash, slide, and flop. Colorful and dynamic, Alcántara’s pictures depict an island community in lush shades of green and blue dotted with houses of bright red and orange; in one series of striking illustrations, the players’ vibrant clothing contrasts against muddied backgrounds. Watch the sun appear again when one player scores a “GOOOOOOOOOOOOOOOAL!” It’s a triumphant, earned moment that lingers even as the story reaches its suitably subdued coda.
Irresistible fun. (author’s note, bibliography, glossary) (Picture book. 4-8)Pub Date: March 6, 2018
ISBN: 978-0-7358-4312-7
Page Count: 32
Publisher: NorthSouth
Review Posted Online: Nov. 26, 2017
Kirkus Reviews Issue: Dec. 15, 2017
A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on.
Mirth, magic, and mischief abound in this picture-book retelling of one of Shakespeare’s most famous plays.
Ariel, the beloved sprite whose conjurings precipitate the eponymous tempest, gets top billing in this adaptation and recounts the narrative in the first person. Through Ariel’s eyes, readers are introduced to the powerful Prospero, his lovely daughter, Miranda, and the shipwrecked nobles who are brought to the island to right an ancient wrong. Ellinas’ picture book largely divests the tale of its colonialist underpinnings and breathes three-dimensional complexity into the major and minor characters. Caliban, for instance, is monstrous due to his callous treatment of Ariel rather than because he is racially coded as savage. Another delightful change is the depiction of Miranda, who emerges as an athletic, spirited, and beautiful nature-child whose charms are understandably irresistible to Prince Ferdinand. The text is perfectly matched by Ray’s jaw-droppingly beautiful illustrations, which will enchant readers from the front cover to the final curtain. The greens of the waters and the blues of the island’s night sky are so lush and inviting that readers will wish they could enter the book. Peppered throughout the story are italicized fragments of Shakespeare’s dialogue, giving both young and older readers something to enjoy. Large, granite-colored Caliban is plainly nonhuman; the human characters present white; Ariel is a translucent, paper white.
A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on. (Picture book. 4-8)Pub Date: April 7, 2020
ISBN: 978-1-5362-1144-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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