A well-written novel sure to satisfy fans of small-town romances with a touch of danger.
In the first installment of Avon’s series, a young man struggles to establish a career and navigate a fraught new romantic relationship while reeling from the loss of his mother.
When readers first meet 30-year-old Mario, the protagonist is contemplatively smoking a cigarette as he waves to the mortician ferrying away his mother’s body. With his father long since out of the picture—even if Mario knows just where to find him—and his mother recently dead, Mario is now effectively an orphan. In his younger, better days, when he was living in the nice part of town, Mario was one of the cool kids at school, a football quarterback from a well-to-do family who harbored dreams of one day becoming a chef. Now, left by his parents’ divorce and mother’s death in dire straits and living quite literally on the wrong side of the tracks, those dreams seem like a thing of the past, no matter how much Mario knows his mother would want him to chase after his ambitions. Whether for his own satisfaction or to honor his dead mother, Mario humbles himself before his father by asking for a job at his restaurant, but he is insulted by the dishwasher position he’s offered. Mario soon lucks into a different opportunity: He meets Dean (friends call him “Dito”), owner of Dean’s Pizzeria, where he soon begins to work as a cook. Things are looking up, and soon Mario even meets a girl—Teresa, or, as friends call her, “Tess.” As if her beauty weren’t enough to attract Mario, Tess comes from the other, ‘better’ side of town and reminds him of his old life, when times were easier. But as in so many romances that seem, at first, too good to be true, there is trouble; Tess is harboring dark secrets that threaten to derail the hard-fought progress Mario has achieved for himself.
Avon’s novel is teeming with characters readers will feel they have seen before: an ambitious young man with a worthless, selfish father; a loving, long-suffering mother; a pretty girl with a checkered past. While at first readers may fear clichés abound, the author deftly leans on her command of setting to inform the characters, as seen here in a description of the apartment Mario’s mother left behind: “The story [she had been reading] without an audience had been eternally suspended, like a movie reel that snaps in the middle of the film’s denouement. On the bedroom dresser, a full bottle of baby powder was tipped on its side, spilling its guts. Clothes hung on their hangers; emaciated shells craving a human.” Avon’s evocative language carries the day here, and while there are passages that skirt overwriting (the phrase “feculent with impurity” appears in the novel’s opening sentence, for example), the vivid prose, in combination with the natural tension of a burgeoning love story pressurized by the secrets young lovers hide from one another, makes this novel stand out in a crowded field of suspenseful romance tales.
A well-written novel sure to satisfy fans of small-town romances with a touch of danger.Pub Date: Nov. 18, 2021
ISBN: 9798533357043
Page Count: 174
Publisher: N/A
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
Review Program: Kirkus Indie
A feisty storm of Greek tragedy headlined by three very modern women.
On the isle of Capri, Helen Lingate seeks revenge on the people responsible for her mother’s death 30 years earlier—her own family.
When Sarah Lingate fell to her death on Capri in 1992, she left behind a 3-year-old daughter, Helen, and a legacy as a gifted playwright; her favorite necklace of golden snakes was lost to the sea. Thirty years later, Helen, chafing at the restrictions she’s grown up under as a member of the old-money Lingate family, hatches a plan with her uncle Marcus’ assistant, Lorna Moreno, to blackmail her uncle and her father with that same necklace, which mysteriously entered her possession a few months before. The novel begins on Capri just after Lorna disappears, and then traces her steps from 36 hours earlier. Interweaving chapters from the points of view of Helen, Lorna, and Sarah—as well as, later, a few others—we learn how Sarah gradually became stifled by the constant pressure of keeping up appearances until she became inspired to write a play, Saltwater, that was a not-so-thinly veiled tell-all revealing dark Lingate family secrets. It was shortly after this that she fell to her death. The loss of her mother has come to define Helen’s life, and if she can use the necklace as leverage to escape her family, and maybe learn the truth along the way, she’ll take the risk. Lorna’s motives are both murkier and more straightforward—she’s never had money, and she’s got a chip on her shoulder about it, so splitting 10 million euros with Helen sounds like a way to discard her past and start fresh. These strong, conniving women drive the drama and the narrative, and they are captivating enough that as twist after twist begins to unfurl, the novel still feels character-driven. The end—well, the end shocks. And it’s well earned. By the time the sun sets on the gorgeous excess and rugged coast of Capri, lives will have been destroyed.
A feisty storm of Greek tragedy headlined by three very modern women.Pub Date: March 25, 2025
ISBN: 9780593875551
Page Count: 336
Publisher: Ballantine
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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