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UNMAKING GRACE

A smart, compassionate portrayal of one woman’s quest to end the cycle of violence.

A "colored" girl comes of age as South Africa transitions from apartheid to democracy and the violence of her home life parallels the terror of the outside world.

Fourteen-year-old Grace falls for her neighbor Johnny, but their youthful romance is short-lived. Authorities of the apartheid regime detain Johnny during a raid of student protesters. Meanwhile, Grace’s family life descends into chaos as her father’s physical and emotional abuse escalates. By the time Nelson Mandela becomes president of a new South Africa and Johnny resurfaces more than a decade later, Grace has married her college sweetheart and become a mother. She has created the picture-perfect life, but her past proves too powerful to suppress. The first part of the novel takes place in 1985, unfolding from Grace's and her father’s alternating points of view. Mary, Grace’s mother, must figure out how to protect herself and Grace with few resources beyond her wits; Patrick, Grace’s father, is full of a rage that consumes his hopes of ever being a decent family man. Grace, their only child, must make sense of how the people responsible for her well-being cause such harm. Part 2 is all about a grown-up Grace in 1997, and Boswell renders her conflicting emotions and actions with vivid language as Grace risks the new, safe life she has built to be with her first love. “Somewhere in her body, that body made up not of platelets and cells but of memory and forgetting, of love and the places that shape, a nerve jangled,” Boswell writes as Grace and Johnny are reunited. The author does not hold back on how domestic violence operates, on how survivors of abuse, like Grace’s father and Johnny, so often become perpetrators of abuse themselves. While the novel is not gratuitous, it is graphic; there are some harrowing scenes, but this book is not medicine that needs be swallowed because of the importance of the issues at hand. The novel creates drama while confronting intersecting systemic oppressions and intergenerational trauma by foregrounding its characters’ needs, wants, wounds, and aspirations. The prose is taut with both clarity and complexity.

A smart, compassionate portrayal of one woman’s quest to end the cycle of violence.

Pub Date: Dec. 3, 2019

ISBN: 978-1-946395-23-8

Page Count: 240

Publisher: Catalyst Press

Review Posted Online: Sept. 29, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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