This attempt to straddle the line between modern and traditional elements misses the mark. (Picture book. 3-7)
The story of the Nativity is told from the perspective of three not-so-wise men with literal stars in their eyes.
The three, each with a star “lodged in his right eye” and each “glad for a reason to get out of town,” meet one another on their way to bring gifts to a king. They arrive at Herod’s palace. Herod picks his fingernails and has breath that smells “like Pine-Sol.” He doubts that the men are fulfilling any prophecy but directs them to Bethlehem. The colloquial tone of the lengthy text—“But sure, why not?”—seems to be an attempt to make the story relevant; its success will vary from reader to reader. The clueless men follow the star to a humble home, where they kneel before a baby because “it was him, then, whoever he was.” The next day, the guiding stars are gone, the men’s maps no longer work, but they are wise enough to avoid Jerusalem and Herod on their way home. Truly lovely illustrations in soft tones capture the reverent atmosphere and the sense of an ancient time and place that the tongue-in-cheek text seems to reject. The Wise Men are diverse, and the other people have skin tones in varying shades of brown.
This attempt to straddle the line between modern and traditional elements misses the mark. (Picture book. 3-7)Pub Date: Aug. 7, 2018
ISBN: 978-1-947888-00-5
Page Count: 40
Publisher: Flyaway Books
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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