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THE TOMB OF ZEUS

A long-winded opus that doesn’t hold a candle to Cleverly’s Sandilands series (The Bee’s Kiss, 2006, etc.). But if you’ve...

The debut of spunky Laetitia Talbot, who’s digging up the past in Crete.

The opulent Villa Europa, set in the center of Herakleion, Crete’s major city, is home to snarling archeologist Theo Russell; his much younger second wife Phoebe; George, the son from his first marriage who dashes about in a Bugatti but donates the rest of his money to rescue lepers; two student archeology apprentices; handsome rogue William Gunning, a forensic architect; and new arrival Letty Talbot, come for some firsthand experience on a dig. Will she uncover the Tomb of Zeus? Will Theo take credit for it? Will Gunning, who broke her heart back in London, undergo a change of heart? Perhaps, perhaps, perhaps. But first, present-day (that is, 1928) matters must be attended to: Phoebe’s suicide, George’s near-fatal car crash, two clandestine amours, tomb looting and fake antiquities, which Letty immediately spots. After lots of historical background about the Minoan culture, much dusting of potshards and an invitation to the local doctor to conduct an autopsy that’s 3,000 years past due, Letty concludes her first adventure with, as one might expect, a kiss.

A long-winded opus that doesn’t hold a candle to Cleverly’s Sandilands series (The Bee’s Kiss, 2006, etc.). But if you’ve read all the Amelia Peabody mysteries twice, you may have to settle for this.

Pub Date: Oct. 30, 2007

ISBN: 978-0-385-33990-2

Page Count: 384

Publisher: Delta

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2007

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A MURDEROUS RELATION

A rollicking tale of desire, murder, and mayhem complete with Victorian atmosphere and two bickering leads.

An eccentric pair of late-Victorian detectives delve into a case involving the royal family.

Through many a wild escapade (A Dangerous Collaboration, 2019, etc.), Veronica Speedwell and Stoker Templeton-Vane have danced around their passionate feelings for each other. Just when the highly independent Veronica is about to commit to a full physical relationship—"The truth, dear reader, is that I was as ready for him as any filly ready for the stud"—a new case hurls them into perhaps their most dangerous adventure yet. Lady Wellingtonia Beauclerk, a power in royal circles, calls them to a meeting with the Princess of Wales and Inspector Archibond of Scotland Yard. The meeting is fraught, for Veronica is the unacknowledged daughter of the Prince of Wales, who deserted Veronica and her Catholic mother to marry Alexandra of Denmark. Since the Yard is overwhelmed with the hunt for Jack the Ripper, who’s terrorizing London, Archibond asks the sleuthing duo to recover a diamond star that the princess's eldest son, Prince Albert Victor, aka Eddy, has given to Madame Aurore, the owner of a private sex club. At first the sleuths decline, but when Lady Wellie suffers a severe angina attack, some snooping reveals her fear that Prince Eddy is suspected of being the Ripper. With the help of Stoker’s brother, they attend a masked ball at the club whose members indulge in all sorts of sexual depravity. After an exciting and informative evening, they run into Eddy, a dim but likable lad, who’s with them when their attempt to open Aurore’s safe ends with their discovery of her body under her bed. All three are kidnapped by Veronica’s Uncle de Clare, an Irishman who wants to place Veronica on the throne and free Ireland. Now they must escape, return Eddy unharmed to the bosom of his family, and discover who murdered Aurore.

A rollicking tale of desire, murder, and mayhem complete with Victorian atmosphere and two bickering leads.

Pub Date: March 10, 2020

ISBN: 978-0-451-49074-2

Page Count: 320

Publisher: Berkley

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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THE TENANT

A bit over-the-top but still a lot of fun.

A vicious killer follows a writer’s murderous manuscript to the letter in Danish author Engberg’s U.S. debut.

It’s only been about a year since University of Copenhagen professor Esther de Laurenti retired, and she’s been writing a novel, something she’s always dreamed of. When Esther’s tenant, 21-year-old Julie Stender, is murdered, Esther is shocked. Heading up the investigation is Copenhagen detectives Jeppe Kørner and his partner of eight years, Anette Werner, and it’s proving to be a doozy. The murder was particularly heinous: The killer stabbed Julie and carved strange designs into her face and, frustratingly, seems to have been very careful not to leave any physical evidence at the scene. Of course, as investigators start digging into Julie’s life, they discover some suitably shady secrets in her past, and it’s suggested that one of her boyfriends might have felt scorned enough to resort to murder. Perhaps it was her new boyfriend, who is supposedly a much older, sophisticated man. Too bad nobody knows who he is. When Esther reveals that the details of the murder closely mirror her work in progress, it opens a whole new avenue of investigation, and when Esther attempts to draw the killer out, it puts her firmly in the crosshairs. Engberg’s background as a former dancer and choreographer gives a boost to her considerable flair for the dramatic (keep an eye out for a theatrically staged murder at the Royal Danish Theater) and highlights a strong focus on Copenhagen’s creative community; even Jeppe wanted to be a musician before he became a cop. His fairly recent divorce almost ruined him, and Anette’s upbeat and pragmatic style is no small annoyance to her moody partner, which is played for light comic effect (as is Jeppe’s reawakening libido), leavening the heavier subject matter. Overly familiar plot elements keep this from being a standout, and some twists require a significant suspension of disbelief, but Engberg’s fast-paced narrative is bolstered by an interesting and quirky cast as well as an intriguing setting.

A bit over-the-top but still a lot of fun.

Pub Date: Jan. 14, 2020

ISBN: 978-1-982127-57-2

Page Count: 368

Publisher: Scout Press/Simon & Schuster

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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