A likable beach read with just a touch of gravitas.
Delinsky, whose bestsellers tackle the crises of family life, offers a story of growth for a woman and her adult daughter and the resulting painful divide.
Caroline MacAfee is head carpenter for MacAfee Homes and host of the popular home-improvement show Gut It!, which chronicles the company's building projects. The company is a family affair, run by patriarch Theodore; Caroline's ex-husband, Roy; their architect daughter, Jamie; and her fiance, Brad, the company's lawyer. Caroline avoids Roy and his young third wife, Jess, and their toddler, Tad, preferring the wood shop to the boardroom. But then the producer of Gut It! drops a bombshell—Caroline is being replaced as host by Jamie. Caroline is furious, feeling she's the victim of ageism, and irrationally blames Jamie for orchestrating her own promotion. Heartbroken Jamie adores her mother and doesn't want to host the show, at least not like this. But suddenly this conflict becomes much less relevant when Roy and Jess are killed in a car accident and Jamie is given custody of Tad, her half brother. Grieving and overwhelmed, Jamie has just a few days to learn the trick of being a working mother. (Brad is no help, suggesting Tad be given, like an old potato, to someone else.) As her mother is still not speaking to her, Jamie begins to rely on Chip Kobik, a hunky dad and former NHL bad boy she meets at the park. He helps her navigate life with Tad and realize what real love looks like. Meanwhile, as the new CEO, the often unsympathetic Caroline softens while keeping company with her longtime friend Dean, the company's general contractor and a surprisingly romantic tough guy. Delinsky effortlessly brings the components together—romance, career shifts, changes in parent-child relationships—and if the novel becomes occasionally clunky detailing an architect at work or a real estate deal in action, then the two charming romances make up for it.
A likable beach read with just a touch of gravitas.Pub Date: June 9, 2015
ISBN: 978-1-250-00704-9
Page Count: 416
Publisher: St. Martin's
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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