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BLUEPRINTS

A likable beach read with just a touch of gravitas.

Delinsky, whose bestsellers tackle the crises of family life, offers a story of growth for a woman and her adult daughter and the resulting painful divide.

Caroline MacAfee is head carpenter for MacAfee Homes and host of the popular home-improvement show Gut It!, which chronicles the company's building projects. The company is a family affair, run by patriarch Theodore; Caroline's ex-husband, Roy; their architect daughter, Jamie; and her fiance, Brad, the company's lawyer. Caroline avoids Roy and his young third wife, Jess, and their toddler, Tad, preferring the wood shop to the boardroom. But then the producer of Gut It! drops a bombshell—Caroline is being replaced as host by Jamie. Caroline is furious, feeling she's the victim of ageism, and irrationally blames Jamie for orchestrating her own promotion. Heartbroken Jamie adores her mother and doesn't want to host the show, at least not like this. But suddenly this conflict becomes much less relevant when Roy and Jess are killed in a car accident and Jamie is given custody of Tad, her half brother. Grieving and overwhelmed, Jamie has just a few days to learn the trick of being a working mother. (Brad is no help, suggesting Tad be given, like an old potato, to someone else.) As her mother is still not speaking to her, Jamie begins to rely on Chip Kobik, a hunky dad and former NHL bad boy she meets at the park. He helps her navigate life with Tad and realize what real love looks like. Meanwhile, as the new CEO, the often unsympathetic Caroline softens while keeping company with her longtime friend Dean, the company's general contractor and a surprisingly romantic tough guy. Delinsky effortlessly brings the components together—romance, career shifts, changes in parent-child relationships—and if the novel becomes occasionally clunky detailing an architect at work or a real estate deal in action, then the two charming romances make up for it.

A likable beach read with just a touch of gravitas.

Pub Date: June 9, 2015

ISBN: 978-1-250-00704-9

Page Count: 416

Publisher: St. Martin's

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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