A tale about surmounting life’s most difficult moments and finding hope when one least expects it.

BEFORE AND AGAIN

A young woman loses her daughter in a car accident and struggles to build a new life for herself in the aftermath of tragedy.

Mackenzie Cooper was driving her 5-year-old daughter to a play date when she missed a stop sign and collided with another car, killing both the other driver and her own daughter. A few years later, after Mackenzie has been divorced by her husband, dropped by her friends, disowned by her mother, and dragged through the mud by the press, she has finally created a quiet existence for herself. She lives in the sleepy town of Devon, Vermont, with two cats and a dog and works as a makeup artist at the spa in a local inn. She's changed her name to Maggie Reid, and almost no one in Devon knows about the accident or the probation officer who's been keeping tabs on her since that fateful day. Everything changes for Maggie the day her new friend Grace’s son is criminally charged with high-profile computer hacking, bringing the press swarming to Devon and dredging up many painful memories for Maggie. Worse yet, when Maggie accompanies Grace to meet with an attorney, they bump into Maggie’s ex-husband, Edward. Maggie learns that Edward has purchased the inn where she works, and he is moving to Devon. As Edward reaches out to Maggie with one overture after another, it quickly becomes apparent that the inn is not the only reason her ex was drawn to this particular town. Before she can reconcile with Edward, however, Maggie must find a way to accept the person she was before the accident and forgive herself for her past. Through a fast-paced and accessible narrative voice, Delinsky tackles many weighty issues in this complicated tale of friendship, loss, love, and redemption.

A tale about surmounting life’s most difficult moments and finding hope when one least expects it.

Pub Date: June 26, 2018

ISBN: 978-1-250-11949-0

Page Count: 416

Publisher: St. Martin's

Review Posted Online: April 3, 2018

Kirkus Reviews Issue: April 15, 2018

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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A touching family drama that effectively explores the negative impact of stress on fragile relationships.

A WEEK AT THE SHORE

A middle-aged woman returns to her childhood home to care for her ailing father, confronting many painful secrets from her past.

When Mallory Aldiss gets a call from a long-ago boyfriend telling her that her elderly father has been gallivanting around town with a gun in his hand, Mallory decides it’s time to return to the small Rhode Island town that she’s been avoiding for more than a decade. Mallory’s precocious 13-year-old daughter, Joy, is thrilled that she'll get to meet her grandfather at long last, and an aunt, too, and she'll finally see the place where her mother grew up. When they arrive in Bay Bluff, it’s barely a few hours before Mallory bumps into her old flame, Jack, the only man she’s ever really loved. Gone is the rebellious young person she remembers, and in his place stands a compassionate, accomplished adult. As they try to reconnect, Mallory realizes that the same obstacle that pushed them apart decades earlier is still standing in their way: Jack blames Mallory’s father for his mother’s death. No one knows exactly how Jack’s mother died, but Jack thinks a love affair between her and Mallory’s father had something to do with it. As Jack and Mallory chase down answers, Mallory also tries to repair her rocky relationships with her two sisters and determine why her father has always been so hard on her. Told entirely from Mallory’s perspective, the novel has a haunting, nostalgic quality. Despite the complex and overlapping layers to the history of Bay Bluff and its inhabitants, the book at times trudges too slowly through Mallory’s meanderings down Memory Lane. Even so, Delinsky sometimes manages to pick up the pace, and in those moments the beauty and nuance of this complicated family tale shine through. Readers who don’t mind skimming past details that do little to advance the plot may find that the juicier nuggets and realistically rendered human connections are worth the effort.

A touching family drama that effectively explores the negative impact of stress on fragile relationships.

Pub Date: May 19, 2020

ISBN: 978-1-250-11951-3

Page Count: 416

Publisher: St. Martin's

Review Posted Online: March 2, 2020

Kirkus Reviews Issue: March 15, 2020

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