by Barbara Foster & Michael Foster ‧ RELEASE DATE: May 1, 1998
The authors’ affection for their subject is warmly communicated in this biography of David-Neel (1868—1969), the French Tibetophile who was the first European woman to explore the once forbidden (to foreigners) city of Lhasa. The Fosters already have one biography of David-Neel to their credit (Forbidden Journey, 1987). In their preface to this book, they present it as an entirely revised edition of the earlier one, incorporating information gleaned from additional source materials and interviews. The authors’ characterization of their subject’s many writings—“witty and entertaining”—applies as well to their own. The biography opens as a movie might, on David-Neel’s surreptitious departure from Lhasa in May 1924, after having entered illegally following a perilous journey. Succeeding chapters flash back to her childhood, marriage, and first journeys east, culminating in the great trek by foot to Lhasa. The final chapters on the end of her life, back in France, also review her major writings, which include autobiography, novels, translations of Tibetan texts, and studies of Buddhism. The many epithets used throughout the book, in lieu of the heroine’s name—the seeker, adventurer, pilgrim, scholar, orientalist, iconoclast—give some feel for the scope of her character and work. The authors present her as a Tantric mystic who scorned mystification; an ascetic who laid carpets in her Tibetan cave-dwelling; a radical democrat who, a colonialist still, condescended to her adopted Sikkimese son: in short, as the union of opposites that many deeply religious people are. The authors’ principal concern is that David-Neel be remembered for her part in preserving Tibet’s religious legacy—especially now that it is under attack—through the texts she translated and saved for the West, including Tibetan versions of works no longer available in the original Sanskrit from the early Buddhist philosopher Nagarjuna. From the joint talents of the authors (a librarian and a novelist) comes a winsome biography that takes its subject more seriously than itself. (26 b&w photos, not seen)
Pub Date: May 1, 1998
ISBN: 0-87951-774-3
Page Count: 352
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1998
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by Michael Foster and Barbara Foster
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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