Historian Hambly has toned down her Grand Guignol propensities and her over-the-top syntax but kept up her wily plotting and...

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WET GRAVE

When Jean Lafitte gave up pirating and settled down in Louisiana’s Plaquemines Parish, rumors had him burying many of his purloined treasures there. But where exactly? The pursuit of the treasure foments a slave uprising deviously undermined by an evil saloonkeeper; leads the brothers Bertrand and Guifford Avocet to cheat each other, keep slave mistresses, sell off the slaves they were paying to spy on one another, and plot fratricide; and makes Abishag Shaw of the City Guards desperate for more help to keep the peace. Overloaded by his attempts to sort through the Avocet slaying, Shaw turns to his friend, freeman of color Benjamin January. But January (Die Upon a Kiss, 2001, etc.) barely has time to help him, since he’s determined to find out who killed luckless prostitute Hesione Legros, once the pampered mistress of one of Lafitte’s underlings. While January’s sister Dominique, pregnant by her about-to-be-married white lover, and his true love Rose, now jobless since her charge Artois was murdered, egg him on—and withstand a hurricane, a plantation fire, and enemies taking fire—January comes to understand what is truth and what are lies in the Lafitte legend, and the demands friendship makes whatever one’s color.

Historian Hambly has toned down her Grand Guignol propensities and her over-the-top syntax but kept up her wily plotting and 19th-century accuracy. Along with the faithful, readers new to the series will find this installment as bracing as chicory-laced coffee.

Pub Date: July 2, 2002

ISBN: 0-553-10935-9

Page Count: 304

Publisher: Bantam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 2002

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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