Love and familial empathy shine through in this quiet, powerful novel.
In the final book of Dzikowski’s Moon Trilogy, a 44-year-old artist leaves New York City to visit a town that shares her name, where a stranger is looking for her.
Ohioan Leon Ziemny knows “things could flip on a nickel,” and in this series entry, things certainly do: Leon’s childhood home back in Langston, Indiana, is on a list of buildings to be demolished. His middle-aged daughter, Willow, unexpectedly shows up in his current hometown of Weeping Willow, Ohio, just after someone else wanders into town asking about her. Leon’s first wife, Noël Trudeau, died giving birth to Willow in this quiet town, which was known as just Willow back then. Tragedy haunts several families there, including the Ziemnys and Trudeaus as well as the Ketchfields, so it’s no wonder that the town was renamed after the weeping willow trees that Leon planted after Noël’s death. Noël’s parents, Jack and Lily Trudeau, had moved to Willow in 1953, not long after the horrific death of Black preacher Raymond Roberts in their former Louisiana town. Over the years, the families experience a stillbirth, a premature death, suicides, and—in 2020—further tragedy after the unexpected appearance of the preacher’s elderly younger brother Booker, who’s trying to solve his own family’s mysteries. Time works differently in small towns, and in the best novels about such places, the prose does, as well: “This is a messy world. We live in an in-between place,” the preacher tells Lily in 1953, as read by Willow in 2020, and all time seems to exist at once. Letters found in secret compartments, medical records stashed in basements, and a buried Bible effectively bring the past’s mysteries to life and complicate the present. Somehow, Dzikowski keeps the narrative moving with the unhurried consistency of a sidewalk stroll to the corner store—one in which, as Lily writes in a letter, “even the cracks on the sidewalk seem to sing.”
Love and familial empathy shine through in this quiet, powerful novel.Pub Date: July 14, 2023
ISBN: 9780984030583
Page Count: 332
Publisher: Wiara Books
Review Posted Online: June 21, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.
Three woman who join together to rent a large space along the beach in Los Angeles for their stores—a gift shop, a bakery, and a bookstore—become fast friends as they each experience the highs, and lows, of love.
Bree is a friendly but standoffish bookstore owner who keeps everyone she knows at arm’s length, from guys she meets in bars to her friends. Mikki is a settled-in-her-routines divorced mother of two, happily a mom, gift-shop owner, and co-parent with her ex-husband, Perry. And Ashley is a young, very-much-in-love bakery owner specializing in muffins who devotes herself to giving back to the community through a nonprofit that helps community members develop skills and find jobs. When the women meet drooling over a boardwalk storefront that none of them can afford on her own, a plan is hatched to divide the space in three, and a friendship—and business partnership—is born. An impromptu celebration on the beach at sunset with champagne becomes a weekly touchpoint to their lives as they learn more about each other and themselves. Their friendship blossoms as they help each other, offering support, hard truths, and loving backup. Author Mallery has created a delightful story of friendship between three women that also offers a variety of love stories as they fall in love, make mistakes, and figure out how to be the best—albeit still flawed—versions of themselves. The men are similarly flawed and human. While the story comes down clearly on the side of all-encompassing love, Mallery has struck a careful balance: There is just enough sex to be spicy, just enough swearing to be naughty, and just enough heartbreak to avoid being cloying.
A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.Pub Date: May 31, 2022
ISBN: 978-0-778-38608-7
Page Count: 352
Publisher: Harlequin MIRA
Review Posted Online: March 15, 2022
Kirkus Reviews Issue: April 1, 2022
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