A complex and engrossing family tale with strong characters.
This sequel revisits a troubled family as it wrestles with love in all its beautiful and terrible forms.
The novel begins in 1973. Noël Trudeau, ex-wife of Leon Ziemny, is pregnant. Against her doctor’s dire warning, she gives birth to a daughter, Willow, and dies. Fast-forward to the late ’90s. Armed with her mother’s diary, Willow is determined to probe her past. She embarks on a trip that takes her to her mother’s grave in Willow, Ohio, and then to the Ziemnys, still in the steel town of Langston, Indiana. Old Walt Ziemny is in the early stages of Alzheimer’s, but the disease soon starts moving fast. His son Ricky, an artist, never married after Noël wed Leon instead of him. That union imploded, and Leon and his second wife, Stella, have, for over 25 years, been in a marriage that died long ago. Then Willow shows up, claiming that Noël was her aunt while she tries to figure things out, test the waters. Slowly, she becomes accepted even if she is still a mystery. Eventually, an important family secret is revealed. Like the author’s previous novel, The Moonstoners(2019),this second volume of a trilogy shows Dzikowski to be a very sensitive observer and writer. Even though the old Polish neighborhood in Langston is changing, the author paints a loving picture of the area, anchored by the parish church and Walt’s tavern, the Mazurka Inn. There are no missteps here, and there are wonderful character studies, especially of Walt and Leon. Walt was the only one to accept Noël from the get-go. Now, his Alzheimer’s is painful for the whole family (and clearly Dzikowski knows a lot about the condition). Leon has always been locked up tight, pushing people away, and readers will want to scream at him, shake him. Willow could be his salvation. He ultimately begins a new life—a better life for a better man. Because everything has been so hard won, the final peace is all the sweeter. Readers will be eagerly awaiting the author’s next installment.
A complex and engrossing family tale with strong characters.Pub Date: June 15, 2020
ISBN: 978-0-9840305-6-9
Page Count: 302
Publisher: Wiara Books
Review Posted Online: June 17, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.
A processing plant manager struggles with the grim realities of a society where cannibalism is the new normal.
Marcos Tejo is the boss’s son. Once, that meant taking over his father’s meat plant when the older man began to suffer from dementia and require nursing home care. But ever since the Transition, when animals became infected with a virus fatal to humans and had to be destroyed, society has been clamoring for a new source of meat, laboring under the belief, reinforced by media and government messaging, that plant proteins would result in malnutrition and ill effects. Now, as is true across the country, Marcos’ slaughterhouse deals in “special meat”—human beings. Though Marcos understands the moral horror of his job supervising the workers who stun, kill, flay, and butcher other humans, he doesn’t feel much since the crib death of his infant son. “One can get used to almost anything,” he muses, “except for the death of a child.” One day, the head of a breeding center sends Marcos a gift: an adult female FGP, a “First Generation Pure,” born and bred in captivity. As Marcos lives with his product, he gradually begins to awaken to the trauma of his past and the nightmare of his present. This is Bazterrica’s first novel to appear in America, though she is widely published in her native Argentina, and it could have been inelegant, using shock value to get across ideas about the inherent brutality of factory farming and the cruelty of governments and societies willing to sacrifice their citizenry for power and money. It is a testament to Bazterrica’s skill that such a bleak book can also be a page-turner.
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.Pub Date: Aug. 4, 2020
ISBN: 978-1-982150-92-1
Page Count: 224
Publisher: Scribner
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
BOOK REVIEW
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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