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THE MOONSTONERS

From the Moon Trilogy series , Vol. 1

A gripping family story for those strong enough for the emotional journey.

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A novel presents a tale of tormented and damaged characters against the backdrop of the turbulent 1960s.

The story revolves—no, churns—around Noël Trudeau, whom readers first meet as a youngster while her family is fleeing north from Hyssop, Louisiana, in the dead of night. Something truly horrible has happened, something that will remain secret for some 200 pages (this is a book of secrets). Then readers find Noël in Langston, Indiana, where she and her toddler son, Adam, have escaped a marriage to a brutal abuser and where young Ricky Ziemny is hopelessly in love with her. She begins timorously to allow the possibility of romance, but it is Ricky’s brother, Leon, whom she falls in love with and marries. The union is tempestuous: The Trudeaus are leery of Leon, the Ziemnys of Noël. Meanwhile—these are just the high (or low) points—her oldest brother is killed in Vietnam and her younger brother, Adam, who dreamed of becoming a surgeon, returns minus an arm. There are suicides, a mental breakdown, and screaming confrontations (especially as the long-held secrets come spilling out). An apothegm from Pascal sets the tone: “When one does not love too much, one does not love enough.” This sets the stage for Noël’s final musing on two kinds of love: “The love you could live with, and the love you couldn’t live without.” Given these truths, the characters are whipsawed big-time. Dzikowski (Searching for Lincoln’s Ghost, 2011) is a passionate writer and her background in counseling has likely contributed much to her prose and outlook. But one needn’t be a Pollyanna to sometimes shout: “Enough already! Enough trauma, enough heartbreak!” On the other hand, one cannot deny the real power of the book. Readers will be drawn into caring deeply about these terribly tortured characters and bracing for the next inevitable tragic turn. This is the first volume of a trilogy; may the sequels bring a measure of relief.

A gripping family story for those strong enough for the emotional journey.

Pub Date: July 20, 2019

ISBN: 978-0-9840305-3-8

Page Count: 368

Publisher: Wiara Books

Review Posted Online: May 30, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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