by Barbara Leaming ‧ RELEASE DATE: Oct. 28, 2014
An intimate and revealing look at one of the 20th century’s most remarkable—and misunderstood—women.
A best-selling biographer chronicles the fabled life of Jackie Kennedy (1929-1994) and advances the claim that the former first lady spent the bulk of her post-Camelot life battling PTSD.
Jacqueline Bouvier seemed to have it all: an upper-crust upbringing and personal and social connections to the most elite families in America. Yet when the time came for her to wed, she was determined to escape “the bland predictability” of a high-society marriage that would require little else of her but to cater to the needs of a well-heeled husband. She met her match in “bad boy” John Kennedy, who she believed was her ticket to all the excitement she could ever want. JFK’s larger-than-life ambition brought the young couple international fame, but it also forced an essentially private woman to endure the brutal glare of the media spotlight and gradually transformed a dream into a nightmare long before JFK’s murder. Beset by personal difficulties, including two infant deaths and a foundering marriage, the assassination—to which she bore bloody witness—was the final straw. Leaming (Churchill Defiant: Fighting On 1945-1955, 2010, etc.) reveals that Jackie suffered from all the hallmarks of PTSD: sleep disturbances, obsessive ruminations about her husband’s murder and even thoughts of suicide. The assassinations of Martin Luther King Jr. and her beloved brother-in-law, Robert, in 1968 became triggers for even more psychological instability and led her to wed Greek shipping magnate Aristotle Onassis, who she falsely believed would provide her the safety and distance she craved. Hounded by paparazzi and reviled by an American public eager to forget the historical traumas of the 1960s, Jackie nevertheless managed to build a life for herself on her own terms—rather than those dictated to her by her class—and emerge from tragedy, permanently wounded but “comparatively sane.”
An intimate and revealing look at one of the 20th century’s most remarkable—and misunderstood—women.Pub Date: Oct. 28, 2014
ISBN: 978-1250017642
Page Count: 368
Publisher: Dunne/St. Martin's
Review Posted Online: Aug. 10, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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by Tom Clavin ‧ RELEASE DATE: April 21, 2020
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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by Emmanuel Carrère translated by Linda Coverdale ‧ RELEASE DATE: Sept. 13, 2011
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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