An intimate and revealing look at one of the 20th century’s most remarkable—and misunderstood—women.

JACQUELINE BOUVIER KENNEDY ONASSIS

THE UNTOLD STORY

A best-selling biographer chronicles the fabled life of Jackie Kennedy (1929-1994) and advances the claim that the former first lady spent the bulk of her post-Camelot life battling PTSD.

Jacqueline Bouvier seemed to have it all: an upper-crust upbringing and personal and social connections to the most elite families in America. Yet when the time came for her to wed, she was determined to escape “the bland predictability” of a high-society marriage that would require little else of her but to cater to the needs of a well-heeled husband. She met her match in “bad boy” John Kennedy, who she believed was her ticket to all the excitement she could ever want. JFK’s larger-than-life ambition brought the young couple international fame, but it also forced an essentially private woman to endure the brutal glare of the media spotlight and gradually transformed a dream into a nightmare long before JFK’s murder. Beset by personal difficulties, including two infant deaths and a foundering marriage, the assassination—to which she bore bloody witness—was the final straw. Leaming (Churchill Defiant: Fighting On 1945-1955, 2010, etc.) reveals that Jackie suffered from all the hallmarks of PTSD: sleep disturbances, obsessive ruminations about her husband’s murder and even thoughts of suicide. The assassinations of Martin Luther King Jr. and her beloved brother-in-law, Robert, in 1968 became triggers for even more psychological instability and led her to wed Greek shipping magnate Aristotle Onassis, who she falsely believed would provide her the safety and distance she craved. Hounded by paparazzi and reviled by an American public eager to forget the historical traumas of the 1960s, Jackie nevertheless managed to build a life for herself on her own terms—rather than those dictated to her by her class—and emerge from tragedy, permanently wounded but “comparatively sane.”

An intimate and revealing look at one of the 20th century’s most remarkable—and misunderstood—women.

Pub Date: Oct. 28, 2014

ISBN: 978-1250017642

Page Count: 368

Publisher: Dunne/St. Martin's

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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