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LITTLE RED AND THE CAT WHO LOVED CAKE

An indulgence for Mother Goose die-hards.

Wolfie is an orange cat who dreams of cake—never mind the chocolate frosting!

Unfortunately the cake in question is destined for Little Red’s grandma, should the book follow the “Little Red Riding Hood” plot (and it does). After Little Red, a White child with short ginger hair who wears a red, hooded jacket, bakes and frosts a cake with the help of Big Red, a bearded adult with matching hair and skin, a game of cat and mouse ensues in comic-book–style spreads and panels. Cautious of being caught in pursuit, Wolfie dodges several looks back from Little Red, hiding alongside various images of cats passed along the way. Without narrative text, the book relies on Mother Goose and Brothers Grimm references to hold the visual interest, as a child being followed by a cat doesn’t really demand the nearly 64 pages it takes up. For those well versed in nursery rhymes, storefronts like Humpty Dumpty Insurance, Gingerbread Gym, and Mary Q. Contrary Florist may earn a chuckle, but the only real fun is in finding all of Bo Peep’s “lost” sheep—often not far from one of her flyers. In a low-stakes climax, Wolfie is outwitted by Grandma and Little Red, who kindly share their cake after a lighthearted prank. Just in case the story—or lack thereof—didn’t drag on long enough, readers can follow the pair all the way home again (jiggety jig) and into bed. A key to fairy tales and rhymes referenced—and the rhymes themselves—appears at the back. (This book was reviewed digitally.)

An indulgence for Mother Goose die-hards. (Picture book. 4-7)

Pub Date: Nov. 2, 2021

ISBN: 978-0-358-31510-0

Page Count: 64

Publisher: Clarion/HarperCollins

Review Posted Online: Sept. 14, 2021

Kirkus Reviews Issue: Oct. 1, 2021

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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  • New York Times Bestseller


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  • Caldecott Honor Book

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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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