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TURN THE CUP AROUND

In a book that is part mystery, part coming-of-age novel, a 12-year-old girl unravels the secret of her shadowy past. Evie has lived at a Maine bed-and-breakfast with her artistic, fortune-telling grandmother since the death of her mother and hospitalization of her father six years ago. A summer storm in which Evie glimpses a phantom figure in the night sets off a chain of events that propels her to delve into long unanswered questions. Falling into a rocky crevice, she stumbles across some anonymous paintings on the chamber walls. There are three possible painters: the professor who is staying at the bed- and-breakfast, the art teacher, Julia, or her own grandmother. In an accidental meeting, Evie comes face to face with a stranger among the rocks and finds herself staring into the blue eyes— eyes she almost recognizes—of a madman. This chance encounter solves the riddle of the paintings, but precipitates the reunion of father and daughter. The plot is so tangled that several threads of subplots remain undeveloped. The title offers a neat metaphor for looking at life in a more positive light, but the book leaves readers dangling between the tease of a suspense novel never fully realized and a character study only half- sketched. (Fiction. 10-12)

Pub Date: Sept. 1, 1997

ISBN: 0-385-32292-5

Page Count: 148

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1997

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THE BAD BEGINNING

The Baudelaire children—Violet, 14, Klaus, 12, and baby Sunny—are exceedingly ill-fated; Snicket extracts both humor and horror from their situation, as he gleefully puts them through one terrible ordeal after another. After receiving the news that their parents died in a fire, the three hapless orphans are delivered into the care of Count Olaf, who “is either a third cousin four times removed, or a fourth cousin three times removed.” The villainous Count Olaf is morally depraved and generally mean, and only takes in the downtrodden yet valiant children so that he can figure out a way to separate them from their considerable inheritance. The youngsters are able to escape his clutches at the end, but since this is the first installment in A Series of Unfortunate Events, there will be more ghastly doings. Written with old-fashioned flair, this fast-paced book is not for the squeamish: the Baudelaire children are truly sympathetic characters who encounter a multitude of distressing situations. Those who enjoy a little poison in their porridge will find it wicked good fun. (b&w illustrations, not seen) (Fiction. 10-12)

Pub Date: Sept. 30, 1999

ISBN: 0-06-440766-7

Page Count: 162

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1999

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REBOUND

An eminently satisfying story of family, recovery, and growing into manhood.

In this prequel to Newbery Award–winning The Crossover (2014), Alexander revisits previous themes and formats while exploring new ones.

For Charlie Bell, the future father of The Crossover’s Jordan and Josh, his father’s death alters his relationship with his mother and causes him to avoid what reminds him of his dad. At first, he’s just withdrawn, but after he steals from a neighbor, his mother packs a reluctant Charlie off to his grandparents near Washington, D.C., for the summer. His grandfather works part-time at a Boys and Girls Club where his cousin Roxie is a star basketball player. Despite his protests, she draws him into the game. His time with his grandparents deepens Charlie’s understanding of his father, and he begins to heal. “I feel / a little more normal, / like maybe he’s still here, / … in a / as long as I remember him / he’s still right here / in my heart / kind of way.” Once again, Alexander has given readers an African-American protagonist to cheer. He is surrounded by a strong supporting cast, especially two brilliant female characters, his friend CJ and his cousin Roxie, as well as his feisty and wise granddaddy. Music and cultural references from the late 1980s add authenticity. The novel in verse is enhanced by Anyabwile’s art, which reinforces Charlie’s love for comics.

An eminently satisfying story of family, recovery, and growing into manhood. (Historical verse fiction. 10-12)

Pub Date: April 2, 2018

ISBN: 978-0-544-86813-7

Page Count: 416

Publisher: HMH Books

Review Posted Online: March 3, 2018

Kirkus Reviews Issue: March 15, 2018

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