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EMMA AND JULIA LOVE BALLET

Young fans will dream big while enjoying this picture-book–perfect world.

Ballet is indeed beautiful for both a student and a performing ballerina.

In parallel stories, Emma, a young white girl, and Julia, an African-American dancer, awaken and set off for their ballet classes. Each loves her familiar routine and practice session. In the evening, Emma and her parents attend a performance in which Julia dances. A special treat awaits Emma as she gets to go backstage and receive not only an autograph, but also a hug from Julia. In both her words and her colorful illustrations, done in ink, gouache, and watercolor, McClintock deftly balances the two worlds and the preparations involved in being a fan and a member of a company. Emma’s mother chauffeurs her, while Julia waits for a city bus. Emma enjoys a family dinner, while Julia snacks with fellow dancers. Detailed drawings show a not-yet-accomplished student, while on the facing page, the ballerina executes her steps with perfect grace; there’s no sweating or falling in this world. It is certainly a good thing to see an African-American ballerina, especially given the recent publicity about the lack of diversity in ballet, but why couldn’t Emma also be a student of color—like three of the other girls in her class? It is nice to see a white girl looking to a black role model, however.

Young fans will dream big while enjoying this picture-book–perfect world. (Picture book. 4-7)

Pub Date: Feb. 23, 2016

ISBN: 978-0-439-89401-2

Page Count: 32

Publisher: Scholastic

Review Posted Online: Nov. 16, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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DOLLY PARTON'S BILLY THE KID COMES HOME FOR CHRISTMAS

A holiday outing that doesn’t quite satisfy.

In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.

Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.

A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)

Pub Date: Oct. 1, 2024

ISBN: 9780593755006

Page Count: 40

Publisher: Penguin Workshop

Review Posted Online: Sept. 28, 2024

Kirkus Reviews Issue: Nov. 1, 2024

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