by Barbara Samuel ‧ RELEASE DATE: Feb. 1, 2003
The point? Apparently none.
Mixed-up mom reconnects with mixed-up daughter in another confused family saga from second-novelist Samuel (No Place Like Home, 2001)
Luna McGraw lost custody of her daughter—and started having tequila for breakfast. But now she drinks—no, obsesses over—coffee in various frothy and steamed combinations. There are other invigorating influences in her life besides all that caffeine: the brilliant sun of Taos, for example, and its engagingly eccentric residents. Luna is an artist in a small way, painting whimsical designs onto old furniture just for fun, and she works at the grocery store to pay her rent. She gets by. Life is good. She even listens to the voices in her head that tell her what to do, dubbed Therapist Barbie and Best Friend Barbie. As Barbies go, they know just what to say when Luna is feeling a little down. Oh, one more thing: she’s dying for a Marlboro but she has to set a good example for teenager Joy, right? And just why is her pain-in-the-butt ex suddenly eager to send the girl to her mother? Joy doesn’t seem all that bad. Outward signs of rebellion are few: small tattoo on her back, minor body pierce here and there. She seems to make friends easily and so does Luna—Thomas Coyote, that hunky Indian woodcarver, looks like a real man, not too arty or pretentious. And nice. What more could a clean-and-sober middle-aged woman ask for? Luna is realistic and figures she can deal with the ex-wife he still talks to. Then a letter arrives and all cluster ’round: seems Luna’s good-for-nothing father died and left them some land. What to do? Drink some coffee and dither some more. Joy’s friend Maggie is cutting herself. What to do? Ask an inner Barbie. And so goes this desultory plot, interspersed with almanac quotes, the twelve steps of AA, and deep Dear Diary entries.
The point? Apparently none.Pub Date: Feb. 1, 2003
ISBN: 0-345-44567-8
Page Count: 336
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 2002
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by Rebecca Yarros ‧ RELEASE DATE: Feb. 26, 2019
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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by Nora Roberts ‧ RELEASE DATE: March 23, 1998
To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.
Pub Date: March 23, 1998
ISBN: 0-399-14387-4
Page Count: 464
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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