An acutely observed, tenderly philosophical novel that tells a wonderfully bittersweet story.
A young woman reconnects with her Italian heritage and attunes to her inner self in this coming- of-age novel by Sapienza.
Lavinia Lavinia (who was given the same first and last name as part of an “old custom in Italy”) is sauntering through the streets of San Francisco from her home in the Mission District when this novel opens. Her Uncle Sal “scooped her away” from Naples before she was 5 years old and moved with her and her aunt Rose to the West Coast. Soon after Rose died, Sal hurriedly returned to Italy, leaving the 26-year-old Lavinia feeling abandoned. After dropping out of San Francisco State University, she set up as a laundress, “detailing” clothes for a range of offbeat clients from lawyers to sculptors. Lavinia has a habit of tipping with bubble gum, a gesture that catches the eye of an attractive barista. Her playful demeanor conceals that her lost past tugs heavily on her emotions. With the help of others, she starts to recover memories of her infancy and, in doing so, sets out on a journey of self-understanding. Sapienza’s writing is delightfully descriptive as it evokes the streets of the Mission District: “Mothers with shiny black hair, dressed in flowing skirts and sandals, push their babies in strollers. Lavinia sidesteps past old cars parked on the sidewalks.” Connective forces stretch out across space and time as Lavinia recalls her Italian past: “The old ladies scream from their windows for pane, prosciutto, mozzarella di bufala, the groceries to be hauled up to their second- and third-story apartments.” As Lavinia breezes through the streets of San Francisco, she evinces the freedom of youth. This effervescence is beautifully balanced by the wisdom of experience, as proffered by Mercedes Montoya, the mother of a close friend. She counsels Lavinia: “La querencia is a safe place in the bull ring, the place where the bull goes to stay alive, to stay away from the lance of the matador.…it’s a place to regain his power.” Mercedes adds that “this is the place you will find within yourself.” Wistful yet uplifting, the book mourns the fading past while celebrating the intricate beauty of each passing moment.
An acutely observed, tenderly philosophical novel that tells a wonderfully bittersweet story.Pub Date: May 19, 2020
ISBN: 978-1-63152-679-4
Page Count: 304
Publisher: She Writes Press
Review Posted Online: March 9, 2020
Kirkus Reviews Issue: April 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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