All the makings of a TV docudrama in an unlikely source: the story of feisty Elizabeth Packard, little-known 19th-century advocate of the rights of mental patients, by journalist (Newsweek, The New York Times, etc.) and TV-writer Sapinsley. Packard's troubles began when her vocal deviation from the Calvinist thinking of her aptly named preacher-husband Theophilus became a decided embarrassment to him. Announcing that since she ``persistently refused my will or wishes...it must be that she is insane,'' he took advantage of the law that allowed a husband to have a wife committed to a lunatic asylum simply on his say-so- -plus the ever-ready consent of the admitting doctor. Released three years later through the efforts of her eldest son and subsequently declared sane in a sensational jury trial, Packard spent the rest of her life working to change the laws so that no other wives could be subjected to the same treatment. Gifted with a keen intelligence, determination, and great physical stamina, she managed to support herself through her writings, regain custody of her children, and persuade numerous state legislatures to rewrite the laws regarding commitment and treatment of mental patients. Sapinsley's experience in writing TV documentaries (The Twentieth Century, etc.) is evident in her selection of scenes that dramatize the story. Hampered by the destruction of court and legislative records, she has nevertheless created a vital portrait of a remarkable woman, ingeniously piecing it together from family records, contemporary newspaper clippings, and Packard's own writings. An eye-opener. (Photographs—not seen.)
Pub Date: July 1, 1991
ISBN: 1-55778-330-6
Page Count: 256
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1991
A sharp, compelling, and impassioned book.
A London-based journalist offers her perspective on race in Britain in the early 21st century.
In 2014, Eddo-Lodge published a blog post that proclaimed she was “no longer engaging with white people on the topic of race.” After its viral reception, she realized that her mission should be to do the opposite, so she actively began articulating, rather than suppressing, her feelings about racism. In the first chapter, the author traces her awakening to the reality of a brutal British colonial history and the ways that history continues to impact race relations in the present, especially between blacks and the police. Eddo-Lodge analyzes the system that has worked against blacks and kept them subjugated to laws that work against—rather than for—them. She argues that it is not enough to deconstruct racist structures. White people must also actively see race itself by constantly asking “who benefits from their race and who is disproportionately impacted by negative stereotypes.” They must also understand the extent of the privileges granted them because of their race and work through racist fears that, as British arch-conservative Enoch Powell once said, “the black man will [one day] have the whip hand over the white man.” Eddo-Lodge then explores the fraught question of being a black—and therefore, according to racist stereotype—“angry” female and the ways her “assertiveness, passion and excitement” have been used against her. In examining the relationship between race and class, the author further notes the way British politicians have used the term “white” to qualify working class. By leaving out reference to other members of that class, they “compound the currency-like power of whiteness.” In her probing and personal narrative, Eddo-Lodge offers fresh insight into the way all racism is ultimately a “white problem” that must be addressed by commitment to action, no matter how small. As she writes, in the end, “there's no justice, there's just us.”
A sharp, compelling, and impassioned book.Pub Date: Dec. 5, 2017
ISBN: 978-1-4088-7055-6
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: Sept. 16, 2017
Kirkus Reviews Issue: Oct. 1, 2017
SEEN & HEARD
Dramatic, immersive, and wanting—much like desire itself.
Based on eight years of reporting and thousands of hours of interaction, a journalist chronicles the inner worlds of three women’s erotic desires.
In her dramatic debut about “what longing in America looks like,” Taddeo, who has contributed to Esquire, Elle, and other publications, follows the sex lives of three American women. On the surface, each woman’s story could be a soap opera. There’s Maggie, a teenager engaged in a secret relationship with her high school teacher; Lina, a housewife consumed by a torrid affair with an old flame; and Sloane, a wealthy restaurateur encouraged by her husband to sleep with other people while he watches. Instead of sensationalizing, the author illuminates Maggie’s, Lina’s, and Sloane’s erotic experiences in the context of their human complexities and personal histories, revealing deeper wounds and emotional yearnings. Lina’s infidelity was driven by a decade of her husband’s romantic and sexual refusal despite marriage counseling and Lina's pleading. Sloane’s Fifty Shades of Grey–like lifestyle seems far less exotic when readers learn that she has felt pressured to perform for her husband's pleasure. Taddeo’s coverage is at its most nuanced when she chronicles Maggie’s decision to go to the authorities a few years after her traumatic tryst. Recounting the subsequent trial against Maggie’s abuser, the author honors the triumph of Maggie’s courageous vulnerability as well as the devastating ramifications of her community’s disbelief. Unfortunately, this book on “female desire” conspicuously omits any meaningful discussion of social identities beyond gender and class; only in the epilogue does Taddeo mention race and its impacts on women's experiences with sex and longing. Such oversight brings a palpable white gaze to the narrative. Compounded by the author’s occasionally lackluster prose, the book’s flaws compete with its meaningful contribution to #MeToo–era reporting.
Dramatic, immersive, and wanting—much like desire itself.Pub Date: July 9, 2019
ISBN: 978-1-4516-4229-2
Page Count: 320
Publisher: Avid Reader Press
Review Posted Online: May 19, 2019
Kirkus Reviews Issue: June 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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