As a prologue to the Harte legend, very thin gruel indeed.
The eighth installment of Bradford’s Harte Family Saga is a prequel to the first, A Woman of Substance (1979).
Close followers of the Harte story will recognize Shane Patrick Desmond O’Neill, known as Blackie, as dynasty founder Emma Harte’s early mentor and helper, who earns her lifelong loyalty. In 1899, Blackie, an orphan, emigrates from Ireland to Yorkshire at the age of 13. Offered a home by his kindly Uncle Patrick and his ailing Aunt Eileen, who live near Leeds, Blackie learns the building trade; he has ambitions to be an architect one day but mostly to be filthy rich. Series fans know that Emma, who shares Blackie’s ambition to get filthy rich, gets her start in Leeds, but Blackie will not meet her until three-quarters of the way in. While we’re waiting, Blackie encounters that Bradford staple, the older woman who relieves him of his virginity and then conveniently exits. Until about Page 150, no real excitement or suspense happens beyond minute descriptions of logistics, interiors, and English cuisine—heavy on the meat pies. At 17, Blackie is enlisted by a friend to help rescue fellow immigrant Moira Aherne from the “Ham Shank,” a dangerous neighborhood. Blackie suspects, based on her upper-class accent and dress, that lovely Moira has an ulterior motive for slumming with the working class, but any hopes of Moira as a source of conflict are soon dashed. None of the privileged and beautiful people in this book harbor sinister motives because Bradford seems so intent on vindicating them. Case in point: Lord Robert Lassiter, an earl who takes up a sizable and at first seemingly unrelated chunk of the book. This handsome magnate who has parlayed his family fortune into another fortune proposes to the fetching Vanessa, 17 years his junior, while still married to Lady Lucinda Lassiter. Bradford implies that Lucinda, the mother of Robert’s heir and spare, deserves to be blackmailed into a divorce. The rushed denouement obscures some genuinely interesting logistics.
As a prologue to the Harte legend, very thin gruel indeed.Pub Date: Nov. 16, 2021
ISBN: 978-1-2501-8745-1
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Sept. 14, 2021
Kirkus Reviews Issue: Oct. 1, 2021
IN THE NEWS
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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