As a prologue to the Harte legend, very thin gruel indeed.
The eighth installment of Bradford’s Harte Family Saga is a prequel to the first, A Woman of Substance (1979).
Close followers of the Harte story will recognize Shane Patrick Desmond O’Neill, known as Blackie, as dynasty founder Emma Harte’s early mentor and helper, who earns her lifelong loyalty. In 1899, Blackie, an orphan, emigrates from Ireland to Yorkshire at the age of 13. Offered a home by his kindly Uncle Patrick and his ailing Aunt Eileen, who live near Leeds, Blackie learns the building trade; he has ambitions to be an architect one day but mostly to be filthy rich. Series fans know that Emma, who shares Blackie’s ambition to get filthy rich, gets her start in Leeds, but Blackie will not meet her until three-quarters of the way in. While we’re waiting, Blackie encounters that Bradford staple, the older woman who relieves him of his virginity and then conveniently exits. Until about Page 150, no real excitement or suspense happens beyond minute descriptions of logistics, interiors, and English cuisine—heavy on the meat pies. At 17, Blackie is enlisted by a friend to help rescue fellow immigrant Moira Aherne from the “Ham Shank,” a dangerous neighborhood. Blackie suspects, based on her upper-class accent and dress, that lovely Moira has an ulterior motive for slumming with the working class, but any hopes of Moira as a source of conflict are soon dashed. None of the privileged and beautiful people in this book harbor sinister motives because Bradford seems so intent on vindicating them. Case in point: Lord Robert Lassiter, an earl who takes up a sizable and at first seemingly unrelated chunk of the book. This handsome magnate who has parlayed his family fortune into another fortune proposes to the fetching Vanessa, 17 years his junior, while still married to Lady Lucinda Lassiter. Bradford implies that Lucinda, the mother of Robert’s heir and spare, deserves to be blackmailed into a divorce. The rushed denouement obscures some genuinely interesting logistics.
As a prologue to the Harte legend, very thin gruel indeed.Pub Date: Nov. 16, 2021
ISBN: 978-1-2501-8745-1
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Sept. 14, 2021
Kirkus Reviews Issue: Oct. 1, 2021
IN THE NEWS
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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