A dead author turns out to be anything but the blandly successful public figure he’d pretended to be for 40 years, in Ruth Rendell’s ninth as Barbara Vine—a slow-moving, richly textured suspenser. Even as Gerald Candless was making a comfortable living from a long series of novels that reviewers praised as wise and humane, his private life told another story. His loyal wife Ursula, civilly estranged from any intimacy with him ever since the birth of their daughter Hope, deals with his sudden death by snipping the stamps from his voluminous correspondence and discarding the envelopes, then going back to work as a day-care provider. The daughters Gerald was so close to—the obituary they compose describes him as “adored”—are more properly grief-stricken. But when older daughter Sarah agrees to take time from her women’s studies research at the University of London to write a biography of her father, her tears swiftly turn to astonishment that everything he told his family about his early life was false. In the face of the chronicle of his early years that Sarah and Hope had dutifully recycled for his obituary, Gerald Candless hadn’t existed before 1951, when an enterprising young journalist decided to swap his identity for that of a child long dead of meningitis. What made Gerald Candless’s identity so attractive to the young man who went on to reinvent himself in a score of tantalizingly veiled novels—or what made the identity he fled so unbearable? Vine’s many fans will take it as no more than their due to find that Gerald’s mystery is wrapped around a forgotten murder, but even they may be surprised to learn what role Gerald played in the killing. Not at the level of The Brimstone Wedding (1996), this latest excursion into the harrowing past shows Vine at her most weblike, with the murder case that Sarah Candless backs into almost an afterthought in a novel whose people—right up to the final merciful release—all seem long dead, dying, or hopelessly immured in the past.
Pub Date: June 10, 1998
ISBN: 0-609-60287-X
Page Count: 352
Publisher: Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1998
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)
Pub Date: March 31, 1999
ISBN: 0-609-60249-7
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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