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STILWELL AND THE AMERICAN EXPERIENCE IN CHINA, 1911-45

With accustomed adroitness Tuchman meshes details political and personal, major and minor, into a strong narrative of General Stilwell's career and thirty-five years of U.S. China policy. The result leans toward biographical rather than political history. Stilwell was an egalitarian, commonsensical, high-humored officer; his idiosyncrasies, hatred of pretense and incumbent loneliness are captured in particular through acute selections from his literate, rather ribald diaries. As staff officer to the American occupation force in Shanghai, head of road-building teams of famine-stricken laborers, but especially as roving intelligence officer from 1934 to 1940, Vinegar Joe is at his exuberant best. But Stilwell's orientation toward tactical military situations, rather than the international political climate in which American policy was formed and conducted, creates a hitch in Tuchman's effort to use him to illuminate these policies. After providing considerable pre-World War II background, she is not at her descriptive best during the 1942-1945 high points of Stilwell's career, as he tries to make the Chinese army capable of stopping the Japanese. Press hero of the China-Burma theater, Stilwell is afforded only meager logistical support from U.S. air and ground forces, denied enough political support to arm-twist Chiang, burdened with consistent British shirking, and then ignominiously canned. Never disposed to tune in the political emanations from Washington and other headquarters, he doesn't try to analyze his defeat, and Tuchman falls down here too. As epilogue she asks wanly "What would have happened in postwar China if Stilwell had succeeded in reorganizing Chiang's armies?" Yet the surpassingly readable style and sensibility mobilized in her earlier works sustain the misfit heroics and suffice for high demand.

Pub Date: Feb. 15, 1970

ISBN: 0802138527

Page Count: 1342

Publisher: Macmillan

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Feb. 1, 1970

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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