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AUGUST GALE

A FATHER AND DAUGHTER'S JOURNEY INTO THE STORM

Pulitzer Prize–winning journalist Walsh (Sammy in the Sky, 2011) explores the ties that bound her own family despite death and desertion.

The author writes about the almost mythic heroism of her ancestors, tough, hard-drinking fishermen who had emigrated from Ireland to Marystown, Newfoundland. They battled fierce storms to put food on the table for their families and looked out for each other in this small community where most of the people who lived there were related. The author begins in August 1935, with the birth of her father in Brooklyn—her grandfather had come to the United States a decade earlier—which coincided with the death of more than 40 Marystown fisherman in a devastating hurricane. This is a complex tale that began for the author in 2002, when her father suggested that she write about the storm and revealed secrets about his own family history that he had found too painful to discuss before. When he was 11 years old, her father had abandoned his family, leaving his mother in dire poverty with two children to raise alone. The author learned that along with five sisters, she had American cousins whom she'd never met, and others living in Newfoundland. Walsh uses her journalistic skills to re-create the life of the Newfoundland fishing community before the gale; she recounts events during the storm and the struggle of the women and children who survived the tragedy. She and her father establish contact with his father's half-siblings and their relatives in Marystown, and she recognizes physical traits and mannerisms they hold in common. The eponymous storm provides the thread that holds the story together and serves as a metaphor for her father's stormy childhood. A celebration of traditional family values and reconciliation.

 

Pub Date: Oct. 18, 2011

ISBN: 978-0-7627-6146-3

Page Count: 272

Publisher: Globe Pequot

Review Posted Online: Aug. 20, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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