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THROUGH THE CLOSET DOOR

PART ONE

A personal, honest coming-out story.

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An elder lesbian shares her journey of self-discovery in this debut memoir.

“I was raised as a very devout Catholic, believing that homosexuals were going to Hell—forever,” writes Wilson in opening lines that provide a backdrop for the rest of the book. Even while she questioned her faith as a music major in college in the 1960s, Catholicism continued to shape the author’s actions, from accepting a paid position as music director at a Catholic parish to reporting a friend for homosexual activity to college authorities. Yet, despite the rigid moral code of her upbringing, Wilson had sexually experimented with her high school girl friend (something neither one “mentioned or repeated” in subsequent meetings). This denial of her own sexual orientation continued into adulthood, when she moved from the Midwest to California to work as a teacher. She met various guys along the way, some of whom she even “dreamt about marrying and having a family with,” but she remained single. Not until decades later was she forced to confront her sexuality after meeting her neighbor, an open and vocal lesbian with whom she shared a mutual attraction. The book’s final chapters center around Wilson’s budding relationship with a divorced mother of three teenage sons in the late 1980s. An intimate memoir, the work effectively captures the role that religion played in stifling the author’s sense of self, even as she asserts her belief in God today (though it’s a different version from the faith of her upbringing). While critical of the Catholicism that shaped her childhood, particularly its hypocritical emphasis on punishment for select sins, Wilson affords various priests, nuns, and her parents a nuanced analysis that acknowledges advancements since the 1960s. The book ends abruptly with Wilson coming out to her now-wife, Sandra, leaving readers anticipating the next volume, which will look back at the two navigating parenthood and life as a lesbian couple in the anti-gay milieu of the late 1980s and 1990s.

A personal, honest coming-out story.

Pub Date: Aug. 5, 2025

ISBN: 9798999098719

Page Count: 156

Publisher: N/A

Review Posted Online: Jan. 30, 2026

Kirkus Reviews Issue: March 15, 2026

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WHEN WE SEE YOU AGAIN

Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.

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Remembering “Hershy.”

Three hundred and twenty-eight days. That’s how long Hersh Goldberg-Polin was held in captivity—tortured and starved by his captors in underground tunnels—before he was executed. He was 23 years old. In this unvarnished and heartrending account, Goldberg-Polin’s mother, Rachel, writes of the unending torment that she and her husband, Jon, endured after learning that their son had been kidnapped by Hamas terrorists during the attacks of October 7, 2023. Like so many other young people on that day, Hersh was attending a music festival in Israel—a celebration of love and unity. As Goldberg-Polin writes, her son was “the only American citizen kidnapped alive on October 7th who did not return alive.” In direct, plainspoken language that steers clear of politics, the author, a Jewish educator, recounts “being in a daze of the most indescribably sickening horror and fear, like nothing I had ever felt in my life. I remember my heart racing and feeling like I was in a permanent state of someone scaring me.” In addition to “shovel[ing] out my pain in the form of words,” she shares reminiscences of her son, as well as details that only a parent could notice. “His eyes were cookies,” she says of her “Hershy.” “I couldn’t find the pupils within the dark chocolate-brown irises.…He had a raspy voice, even when he was a baby.” And: “I thought he was hilarious; his sarcasm and humor were similar to mine.” Hersh and his sisters, Leebie and Orly, adapted well to life in Israel after the family moved from Richmond, Virginia. (Hersh was born in the Bay Area.) After being discharged from his service in the Israeli army as a combat medic, he was planning to journey around the world—a longtime dream of his. “So many people have come to love you, Hersh,” Jon Polin writes in the book’s afterword. And with one simple word that has the power to touch any heart, he signs off: “Dada.”

Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.

Pub Date: April 21, 2026

ISBN: 9798217198009

Page Count: 288

Publisher: Random House

Review Posted Online: April 21, 2026

Kirkus Reviews Issue: June 1, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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