An informative introduction to the challenges of historic preservation.
The future of historic preservation in New York City.
In commemoration of the 60th anniversary of the New York City Landmarks Preservation Commission (LPC), Diamonstein-Spielvogel, former LPC commissioner and nationally renowned arts advocate, invited people knowledgeable about the city’s architecture and history to “write freely on any and all…aspects of the built environment, including the role of preservation in a changing city.” The result is a diverse set of essays ranging from the history of the Bowne House, the oldest house in Queens, to the engineering challenges of adaptive reuse and the need to design and construct buildings that will endure beyond their original use. The book’s value lies with those essayists who encourage the LPC to lessen its fixation on the aesthetics of individual buildings—particularly regarding historic districts—and its timidity in the face of real estate interests. They urge the LPC to preserve, as New York Times architecture critic Michael Kimmelman writes, the “things that give the city and its neighborhoods their character, distinction, vitality, social cohesion, and meaning.” The intent is to protect and preserve the city’s cultural history (its intangible heritage), sites of ecological value (i.e., living landmarks), historic signage, and structural and mechanical building systems. Yet the book excludes the voices of the many people who think “beyond architecture,” including urban planners, urbanists, sociologists, and cultural scholars, among others. Historic preservation in New York City seems unable to escape the gravitational pull of individual buildings and the architectural profession. The book would have benefited from an essay reflecting on the LPC’s political, bureaucratic, and financial limitations and unrealized potential. Well worth reading, nonetheless, are thoughtful essays by Kimmelman and fellow architecture critic Paul Goldberger, architect Lisa Switkin, and the historic preservation scholar Andrew Dolkart.
An informative introduction to the challenges of historic preservation.Pub Date: Dec. 10, 2024
ISBN: 9781681379104
Page Count: 224
Publisher: New York Review Books
Review Posted Online: Dec. 11, 2024
Kirkus Reviews Issue: Jan. 15, 2025
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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