Imagination soars in this smart, humorous, visually captivating approach to a scientific concept.
In this physics-themed fantasy, an elf’s quest to prevent entropy has unintended consequences.
What is entropy, and what would happen without it? Originally published in the Czech Republic, this new U.S. edition of co-authors Klárová and Končinský’s book (translated by Oakland) is a don’t-miss for science-minded middle schoolers. Set in a wildly inventive world, “entropic elves,” invisible to humans, create disorder and chaos. The book’s lively, relatable narrator, Typo, a young elf in third grade at the Primary School for Aging Things, speaks directly to readers, explaining that all things inevitably become older, damaged, or lost thanks to the work of the entropic elves. (And today’s built-in obsolescence, he enthuses, is a golden age for the elves: “never before has aging occurred at such speed.”) Typo’s specialty is mistakes in published works. His best friend Skim excels at cocoa spilling (one page of the text in Štěpán’s inspired book design features a realistic cocoa stain). Typo considered entropy to be the elves’ noble calling, he says, until the day his faith was shaken: During a field trip to a human bakery, his creative misspelling of a little girl’s name on her birthday cake made her cry. Within the authors’ clever, informational framework, faintly reminiscent of The Phantom Tollbooth (1961), Typo recounts how he set out, with a talking dung beetle as his guide, to find entropy’s master, the legendary Cog of Time, and stop the process of aging and disorder. Špaček’s illustrations encompass witty, full-page, full-color imaginings of the elves’ busy, messy world and cartoon renderings, in color and black and white, of the characters, their gadgetry, and more, on text pages. With various font sizes for emphasis and eccentric juxtapositions of text, illustrations, and chapter titles in large, transparent blue letters, Petr Štěpán’s design adds to the book’s delights.
Imagination soars in this smart, humorous, visually captivating approach to a scientific concept.Pub Date: Oct. 11, 2022
ISBN: 979-8-9858-7871-4
Page Count: 120
Publisher: Val de Grace
Review Posted Online: July 20, 2022
Kirkus Reviews Issue: Sept. 15, 2022
Review Program: Kirkus Indie
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
After some autobiographical excursions, Dahl here returns to the sort of whimsically grotesque fantasy that makes grown-ups wince and children beg for more. His heroine is five-year-old Matilda, a genius whose mathematical abilities, as well as her impressive reading list (Hemingway, Steinbeck, etc.), are totally unappreciated by her father—a dishonest used-car salesman—and her mother, a devotee of bingo and TV soaps. Only when the girl enters school does she find an understanding ally, Miss Honey, a paragon of virtue who attempts to defend her pupils against unbelievably cruel headmistress Miss Trunchbull, who hates children in direct proportion to their youth and tortures them accordingly. Just when things seem to be at their worst, Matilda discovers still another gift, telekinesis, enabling her to defeat the horrible Trunchbull and give Miss Honey, and herself, a new start. Dahl's tightly woven plots, his strict sense of absolute justice, and his raunchy "funny bits" make him popular with children who also appreciate the empowerment he grants to his smaller, weaker protagonists. Matilda is the most simplistic of his efforts in this direction, but it does retain the time-honored appeal, abetted by Blake's apt illustrations. It probably should be marked "For Children Only," though. And Dahl slips badly when he says that C.S. Lewis and J.R.R. Tolkien have no "funny bits" in their books.
Pub Date: Oct. 1, 1988
ISBN: 0142410373
Page Count: 240
Publisher: Viking
Review Posted Online: Oct. 16, 2011
Kirkus Reviews Issue: Sept. 15, 1988
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