This book teaches kids to spell “rock” with five Rs, and anyone who thinks that’s good advice will find it an excellent...
Here’s a quick test to find out if this is your kind of book: “You blokes just happen to be on tour with Terry the Wünder-Dwarf and the Pirates of Munchausen!”
B.J. Levine has a small, black book. It’s called The Legend of the Good Supreme, and it’s an instruction manual on becoming a “full-on, fire-breathing MEGALORD OF RRRRROCK.” Because this is rock and roll, the book is missing all but six pages. So it doesn’t tell B.J. he’s going to meet a dwarf or be chased by elderly bikers. It just tells him his first step: Start a band. The story makes as much sense as your average Queen song, and it’s just as much fun. The logic doesn’t always track, chapters jump from first to third person without warning and some sentences go right off the rails: “He screamed like a little girl. Or not exactly like a little girl—more like some sort of frightened monkey. Like a frightened, heavy metal–singing monkey who’d stepped on a rusty nail.” But no one knows what a pompatus of love is, either, and the Steve Miller Band managed just fine.
This book teaches kids to spell “rock” with five Rs, and anyone who thinks that’s good advice will find it an excellent instruction manual for life. (Fiction. 10-14)Pub Date: Feb. 1, 2012
ISBN: 978-1-4022-5962-3
Page Count: 288
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
BOOK REVIEW
BOOK REVIEW
A charming adaptation.
A miscommunication leaves Matthew and Marilla Cuthbert responsible for a plucky, effusive orphan girl instead of the boy they’d expected to help maintain their farm.
Retold in traditional manga format, with right-to-left panel orientation and detailed black-and-white linework, this adaptation is delightfully faithful to the source text. Larger panels establish the idyllic country landscape while subtle text boxes identify the setting—Prince Edward Island, Canada, in the 1870s. The book follows redheaded Anne Shirley from her arrival at Green Gables at 11 to her achievement of a college scholarship. In the intervening years, Anne finds stability, friendship, personal growth, and ambition in Avonlea and in the strict but well-intentioned Cuthbert siblings’ household. The familiar story is enhanced by the exciting new format and lush illustrations. A variety of panel layouts provides visual freshness, maintaining reader interest. Backmatter includes the floor plan of the Green Gables house, as well as interior and exterior views, and notes about research on the actual location. A description of the process of adapting the novel to this visual format indicates the care that was taken to highlight particular elements of the story as well as to remain faithful to the smallest details. Readers who find the original text challenging will welcome this as an aid to comprehension and Anne’s existing fans will savor a fresh perspective on their beloved story. All characters appear to be White.
A charming adaptation. (Graphic fiction. 12-14)Pub Date: Sept. 1, 2020
ISBN: 978-1-947808-18-8
Page Count: 308
Publisher: Manga Classics
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A bit of envelope-pushing freshens up the formula.
In honor of its 25th anniversary, a Disney Halloween horror/comedy film gets a sequel to go with its original novelization.
Three Salem witches hanged in 1693 for stealing a child’s life force are revived in 1993 when 16-year-old new kid Max completes a spell by lighting a magical candle (which has to be kindled by a virgin to work). Max and dazzling, popular classmate Allison have to keep said witches at bay until dawn to save all of the local children from a similar fate. Fast-forward to 2018: Poppy, daughter of Max and Allison, inadvertently works a spell that sends her parents and an aunt to hell in exchange for the gleeful witches. With help from her best friend, Travis, and classmate Isabella, on whom she has a major crush, Poppy has only hours to keep the weird sisters from working more evil. The witches, each daffier than the last, supply most of the comedy as well as plenty of menace but end up back in the infernal regions. There’s also a talking cat, a talking dog, a gaggle of costumed heroines, and an oblique reference to a certain beloved Halloween movie. Traditional Disney wholesomeness is spiced, not soured, by occasional innuendo and a big twist in the sequel. Poppy and her family are white, while Travis and Isabella are both African-American.
A bit of envelope-pushing freshens up the formula. (Fantasy. 10-15)Pub Date: July 10, 2018
ISBN: 978-1-368-02003-9
Page Count: 528
Publisher: Freeform/Disney
Review Posted Online: June 16, 2018
Kirkus Reviews Issue: July 1, 2018
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